Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
The opera is set in Fehrbellin in Brandenburg during the Prusso-Swedish Wars in the seventeenth<br />
century, immediately around the Swedish defeat at the battle of Fehrbellin 1675<br />
Prince Friedrich and Princess Natalie are in love, and she is promised to him by the Elector.<br />
Field Marshal Dörfling outlines the plan of battle, but the Prince daydreams about the princess.<br />
During the battle, not having listened to the orders he was given, he attacks prematurely,<br />
endangering the outcome by sending his cavalry after retreating Swedes. Nevertheless, the<br />
attack is successful. The Elector orders the arrest of the disobedient officer. The Prince is imprisoned,<br />
and the Elector is expected to ratify the sentence of death. The Prince appeals through<br />
Princess Natalie, but she is told that the Prince must comply with the sentence. Natalie uses her<br />
Dragoons to free the Prince. Meanwhile, the Elector, knowing that he has taught the Prince his<br />
lesson, decides to pardon him. Blindfolded, the Prince is led towards his execution, but when<br />
the blindfold is removed, the Elector gives him the hand of the Princess.<br />
Der Prinz von Homburg<br />
24.07.1992 Bayerische Staatsoper München<br />
In this way the prince appears as the first modern protagonist, passive, his fate decided by events,<br />
on his own in a fragile world and therefore close to us, not a hero any longer but instead both a<br />
complex ego and suffering creature, an “unmentionable human” as Kleist called himself, a dreamer,<br />
sleep walker who becomes self-aware. (Ingeborg Bachmann)<br />
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