Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
Music Theatre since 1990 - Schott Music
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Synopsis<br />
St. Petersburg (1.-3. scene): Sophie, a Russian orphan lives with her aunt Yadwigha. She falls in<br />
love with Heinrich, but her aunt forbids her to marry him. So the two of them decide to escape.<br />
Meanwhile Sophie’s aunt dies in St. Petersburg. Heinrich doesn’t really intend to marry Sophie<br />
– she is too poor for him. He absconds. Eduard, their wedding witness, has to tell Sophie, who<br />
is prostrate and decides to shoot herself. General Bosquet, a veteran of the Crimea war, takes<br />
care of her as his own child. Sophie’s friend Nina writes a letter from St. Petersburg to tell<br />
Sophie that Heinrich has married a rich woman. When General Bosquet dies Sophie, now an<br />
orphan again, goes back to St. Petersburg, and decides to take revenge on Heinirch. He is lured<br />
by a trick to a masked ball at Nina’s home, where he is exposed and shot in a duel with Gaston,<br />
Sophie’s former devotee.<br />
Die Rache einer russischen Waise<br />
18.03.1993 Saarbrücken, Saarländisches Staatstheater, Alte Feuerwache<br />
Rousseau’s work is a goldmine for satire. Girlish dreams of the fairy prince, love at first sight, a<br />
guardian who stands in the way of young love, seduction, escape, unfaithfulness, lovesickness,<br />
thoughts of suicide, duel, death: no stereotype is left unexplored. This work is a strange and unconventional<br />
presentation of contemporary music theatre. What in Rousseau is still a utopian idyll,<br />
becomes in Gruenauer and Kaiser a both pensive and cheerful game, juggling with feeling and<br />
expression. (Opernwelt, Mai 1993)<br />
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