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Viktor Ullmann Der zerbrochene Krug (The Broken Pitcher) Opera in one act Libretto by Viktor Ullmann after the play by Heinrich von Kleist, Op. 36 Origin: 1942 Language: German 1996 Cast: Walter, Court Inspector · bass – Adam, Village Judge · high bass buffo – Licht, Court Clerk · tenor buffo – Mrs Marthe Rull · low alto – Eve, her Daughter · lyric soprano – Veit Tümpel, a Farmer · baritone – Ruprecht, his Son · heroic tenor – Mrs Brigitte · alto – 1. Maidservant · soprano – 2. Maidservant · alto – a Bailiff · silent role Orchestra: Orchestra: 2 (2. auch Picc.) · 2 (2. auch Engl. Hr.) · 2 · Bassklar. · Ten. Sax. · 2 · Kfg. – 3 · 2 · 1 · 0 – P. S. (Trgl. · hg. Beck. · Beckenpaar · Schellen · Tamb. · kl. Tr. · gr. Tr. mit Beck. · Kast. · Ratsche · Glspl. · Xyl) (3 Spieler) – Cemb. · Tenor-Banjo – Str. Duration: 50‘ Vocal score ED 8434 · Recording CD ORFEO C 419 981 A · Performance material on hire Selected Productions 17.05.1996 Dresdner Musikfestspiele · Nationaltheater Weimar (WP) 25.05.1996 Nationaltheater Weimar Israel Yinon · Ehrhard Warneke · Dieter Lange 29.04.2007 Städtische Bühnen Münster, Kleines Haus Peter Meiser · Axel Kresin · Martina Toeberg 17.02.2008 Dorothy Chandler Pavilion · Los Angeles Opera James Conlon · Darko Tresnjak · Ralph Funicello · Linda Cho 58
Synopsis Viktor Ullmann composed his setting of Kleist’s popular dramatic comedy in 1942 between his two operas Der Sturz des Antichrist [The Fall of Antichrist] (1936) and Der Kaiser von Atlantis [The Emperor of Atlantis] (1943) against the background of an increasingly bleak political situation. The score was completed only a few weeks prior to Ullmann’s deportation to the concentration camp Theresienstadt. Nonetheless, these tragic omens appear only to have had an underlying effect on the humorous and trenchant work. On a superficial level, Ullmann largely adheres to Kleist’s text (albeit with highly effective abridgements) and concisely relates the story of the village judge Adam who has to pass judgement on his own misdeed – the broken pitcher of Marthe – and is ultimately unmasked as the true culprit. Closer study of the text reveals several passages which can clearly be interpreted as a commentary on the iniquities of the justice system under the Third Reich. Specifically, the final verse, written by Ullmann himself, is set in the context of the Nazi’s Volksgerichtshof (People’s Court) and its henchmen in the red robes of judges, a witty but undisguised warning: ‘Fiat justitia, | damals wie ebenda: | Richter soll keiner sein, | ist nicht sein Herze rein.’ (Fiat justitia: then as now, no-one should be a judge if his heart is not pure). Der zerbrochene Krug 17.02.2008 Los Angeles Opera Ullmann combines references to18th century opera buffo with the tonal language of his own time. A harpsichord is alienated by its modernistic plucked chords, in the background a sultry string cantilena and brass soli clumsily interrupt the emotional operetta-like melodies. Here comedy is created through the overlapping of perfectly imitated musical fashions. […] Ullmann creates an ideal comic tempo with his rhythmical sprechgesang: the nimble post-Rossini parlando which is the motor of numerous German “comic” operas. (Der Tagesspiegel, 21.05.1996) 59
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Music Theatre since 1990 An annotat
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MUSIC THEATRE SINCE 1990 An annotat
Page 7 and 8: CONTENTS Works in chronological ord
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Page 11 and 12: Synopsis Ingomar Grünauer 1990 in
Page 13 and 14: Synopsis Outside the palace in Myce
Page 15 and 16: Synopsis “A murdered victim climb
Page 17 and 18: Synopsis Dieter Schnebel · Photo:
Page 19 and 20: Synopsis Ubu is greedy for power, m
Page 21 and 22: Synopsis The penniless adventurer T
Page 23 and 24: Synopsis The opera is set in Fehrbe
Page 25 and 26: Synopsis The plot is imaginary, and
Page 27 and 28: Synopsis Aribert Reimann’s opera,
Page 29 and 30: Synopsis St. Petersburg (1.-3. scen
Page 31 and 32: Synopsis The mysterious, disturbing
Page 33 and 34: Synopsis The setting is ancient The
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Page 37 and 38: Synopsis In the early hours of Sept
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Page 41 and 42: Synopsis Volker David Kirchner gave
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Page 45 and 46: Synopsis Homage to Mozart of a spec
Page 47 and 48: Synopsis Harvey Milk is inspired by
Page 49 and 50: Synopsis Rainer Maria Rilke depicts
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Page 53 and 54: Synopsis It was surely an act of fa
Page 55 and 56: Synopsis In Antonio der Dieb [Anton
Page 57: Synopsis In the manuscript of the t
Page 61 and 62: Synopsis Emmeline Mosher is only 13
Page 63 and 64: Synopsis A country doctor is called
Page 65 and 66: Synopsis The immensely rich Marches
Page 67 and 68: Synopsis The prima donna, the heroi
Page 69 and 70: Synopsis Strange things are happeni
Page 71 and 72: Synopsis A woman has killed her hus
Page 73 and 74: Synopsis Hopper’s Wife imagines A
Page 75 and 76: Synopsis ‘The opera takes place i
Page 77 and 78: Volker David Kirchner · Photo: Pet
Page 79 and 80: Synopsis A rehearsal of the opera A
Page 81 and 82: Synopsis Jeremiah has a vision of t
Page 83 and 84: Synopsis A nurse is reading to an o
Page 85 and 86: Synopsis Majakowkis Tod [Mayakovsky
Page 87 and 88: Synopsis ‘Doctor Ox’s Experimen
Page 89 and 90: Synopsis ‘For me, Der Schimmelrei
Page 91 and 92: Synopsis Unlike the Brothers Grimm
Page 93 and 94: Synopsis A modern fable, Fantastic
Page 95 and 96: Synopsis The chamber opera Albert -
Page 97 and 98: Synopsis A homeless woman in Centra
Page 99 and 100: Synopsis Five women have gathered i
Page 101 and 102: Synopsis This opera is set in the e
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Synopsis Wilhelm Busch, the German
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Synopsis Ingomar Grünauer · Photo
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Synopsis The opera opens with the m
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Synopsis Father Sergius, Tolstoy’
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Synopsis New York, somewhere in Man
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Synopsis A poignant setting of the
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König für einen Tag .............
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