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'Twixt two worlds : a narrative of the life and work of William Eglinton

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Psychography ExpIa ined. 105<br />

this <strong>the</strong> investigators take <strong>the</strong>ir seats. These, generally, are <strong>two</strong> in number, but on rare occasions<br />

three persons are present, in addition to <strong>the</strong> medium. Mr. <strong>Eglinton</strong> usually sits at e, <strong>and</strong>,<br />

in <strong>the</strong> representative seances I have now especially in mind, my friends sat at / <strong>and</strong> h <strong>and</strong> I at<br />

g. By comparing Figs. 13 <strong>and</strong> 16 <strong>the</strong>se positions will be readily understood.<br />

As to <strong>the</strong> light, <strong>the</strong>se seances are held ei<strong>the</strong>r in broad day, lamp, or gas light ;<br />

never in <strong>the</strong><br />

dark nor in a dim light. Nothing could be more satisfactory than <strong>the</strong> conditions for perfect<br />

observation in this respect.<br />

The slates used are common school slates, selected in size, so that one will pair exactly with<br />

any o<strong>the</strong>r. These are ei<strong>the</strong>r taken from a stock kept by <strong>the</strong> medium, who buys <strong>the</strong>m by <strong>the</strong> gross ;<br />

or, as is frequently <strong>the</strong> case, <strong>the</strong> sitter takes his own. Book slates, or those fitted with lock <strong>and</strong><br />

key, can also be used.<br />

Those present take <strong>the</strong>ir seats at <strong>the</strong> table as indicated, Mr. <strong>Eglinton</strong> sitting at e. A<br />

^_-_ T<br />

___-..___.__- __—. .^ . v<br />

... . ,._.,, ,.,,,. _<br />

f<br />

Fig. 15.—Method <strong>of</strong> obtaining Writing when <strong>the</strong> Slate is held by Mr. <strong>Eglinton</strong> <strong>and</strong> <strong>the</strong> Sitter.<br />

slate is taken by one <strong>of</strong> <strong>the</strong> company, cleaned, <strong>and</strong> a piece <strong>of</strong> pencil—a mere crumb<br />

about one-sixteenth to three-sixteenths <strong>of</strong> an inch long, which is usually cut fresh from a<br />

stick, <strong>and</strong> marked so as to prove that that identical piece actually produces <strong>the</strong> writing — placed<br />

upon it. The medium <strong>the</strong>n takes <strong>the</strong> slate, <strong>and</strong> at once places it in position at <strong>the</strong> corner <strong>of</strong> <strong>the</strong><br />

table between e <strong>and</strong> / (Fig. 13), keeping it <strong>the</strong>re by pressing <strong>the</strong> under surface <strong>of</strong> <strong>the</strong> slate<br />

with his fingers, <strong>and</strong> <strong>the</strong> table top with his thumb. Figs. 14 <strong>and</strong> 15 fur<strong>the</strong>r illustrate this<br />

position. It will be seen that a closed space is thus formed between <strong>the</strong> slate <strong>and</strong> <strong>the</strong><br />

table, in which it would not be possible to write by ordinary means. When thus ready, one <strong>of</strong><br />

<strong>the</strong> company is desired to ask some question <strong>of</strong> <strong>the</strong> " force," " intelligence," or " spirit "—or<br />

whatever name <strong>the</strong> inquirer may give to <strong>the</strong> agency producing <strong>the</strong>se phenomena. The most<br />

frequent inquiry has regard to <strong>the</strong> presence <strong>of</strong> personal friends who have passed away. Supposing<br />

this has been put, almost immediately <strong>the</strong> sound <strong>of</strong> writing is heard ; <strong>the</strong> completion <strong>of</strong> <strong>the</strong><br />

14

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