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'Twixt two worlds : a narrative of the life and work of William Eglinton

'Twixt two worlds : a narrative of the life and work of William Eglinton

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Drawings <strong>and</strong> Writings Prodttccd by Abnormal JlJcans. 75<br />

certainly could not have been written by any one bodily present, in total darkness, <strong>and</strong> <strong>the</strong><br />

h<strong>and</strong>writings were identified <strong>and</strong> could be proven in any court <strong>of</strong> justice.<br />

The example <strong>of</strong> combined spirit drawing <strong>and</strong> writing, Fig. 8, was done under precisely similar<br />

conditions in my own house, in a small circle <strong>of</strong> intimate friends sitting round a table holding<br />

h<strong>and</strong>s, in total darkness. It is upon a sheet <strong>of</strong> my note paper, initialled like <strong>the</strong> o<strong>the</strong>r for<br />

identification, but for economy <strong>of</strong> space not included in <strong>the</strong> reproduction. The h<strong>and</strong>writing <strong>of</strong> <strong>the</strong><br />

motto, "I am <strong>the</strong> light," <strong>and</strong> <strong>of</strong> <strong>the</strong> signature "Willie," a short pet name for " Wilhelmina,'<br />

Fig. 9.—A Direct Drawing Executed in Total Darkness.<br />

will be recognised at once as <strong>the</strong> same as that <strong>of</strong> <strong>the</strong> longest message in Fig. 7. How<br />

those circles, originally perfect, but marred, as I have explained, by my efforts to make <strong>the</strong>m<br />

more distinct for reproduction, could be drawn without instruments, in total darkness, <strong>and</strong> <strong>the</strong>se<br />

<strong>and</strong> <strong>the</strong> writing all done in a few seconds, passes comprehension. All I know is that both <strong>the</strong>se<br />

examples were done in <strong>the</strong> time, <strong>and</strong> under <strong>the</strong> conditions I have stated. They are solid,<br />

permanent facts, <strong>and</strong> wonderful evidences <strong>of</strong> spirit power.<br />

The wonderful " Ecce Homo " (Fig. 9) was done in my presence, under conditions I<br />

wish to describe accurately. I sat opposite Mr. <strong>Eglinton</strong> at a table in a room in my own

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