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'Twixt two worlds : a narrative of the life and work of William Eglinton

'Twixt two worlds : a narrative of the life and work of William Eglinton

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40 Twixi Two Worlds.<br />

taking our scats we observed a thin, whitish cloud forming over <strong>the</strong> spot where <strong>the</strong> medium<br />

lay. This cloud grew larger, was taller than broad, but exhibited no more definite shape.<br />

Presently, moving to <strong>the</strong> right, our view <strong>of</strong> it was cut <strong>of</strong>f by a bush (i). Fifteen minutes<br />

had elapsed from <strong>the</strong> time <strong>the</strong> cloud first appeared, when a black-bearded figure, clo<strong>the</strong>d from<br />

head to foot in snow-white drapery, stepped out from behind <strong>the</strong> bush (i). He retired, came<br />

forth, <strong>and</strong> retired again. Suddenly, when <strong>the</strong> white appeared a third time, <strong>and</strong> we were expecting<br />

<strong>the</strong> same figure, <strong>the</strong> shrill <strong>and</strong> well-known voice <strong>of</strong> " Joey " broke on our ears. " Holloa,<br />

Arthur ! Holloa, Doctor ! I'm coming. Don't you want to see me " He <strong>the</strong>n emerged<br />

from behind <strong>the</strong> bush (i), <strong>and</strong> stood manufacturing drapery by shaking it in a multitude <strong>of</strong><br />

waves, a custom common with him. He was distant from <strong>the</strong> bench 25 feet, <strong>and</strong> from us<br />

12 feet. He gambolled about, went back, <strong>and</strong> we heard him calling for help, saying he was<br />

caught in <strong>the</strong> bush <strong>and</strong> could not get out. He now informed us that our eyes injured <strong>the</strong><br />

medium, <strong>and</strong> we must retire to <strong>the</strong> position D, so that a bush would intercept our view.

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