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'Twixt two worlds : a narrative of the life and work of William Eglinton

'Twixt two worlds : a narrative of the life and work of William Eglinton

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"<br />

General Testimony to Psyckography. i I<br />

%<br />

signed Godschall Johnson.' The message was addressed to Captain Darvall, who told us<br />

'<br />

that <strong>the</strong> name was that <strong>of</strong> a deceased relative. This was a very interesting manifestation<br />

to ^one who had never seen anything <strong>of</strong> <strong>the</strong> kind before, <strong>and</strong> my friend did not refuse to<br />

believe <strong>the</strong> evidence <strong>of</strong> his senses. For <strong>the</strong> first time in his <strong>life</strong>, he found himself calmly<br />

saying to a dead man, Well, how are you getting on ' ' I hope that none <strong>of</strong> <strong>the</strong><br />

relatives <strong>of</strong> <strong>the</strong>se friends will blame me for giving <strong>the</strong> names. I can see no reason for<br />

not publishing <strong>the</strong>m, <strong>and</strong> one would think that all who had <strong>the</strong> pleasure <strong>of</strong> knowing <strong>the</strong><br />

spirit, who in this <strong>life</strong> was called Lady Darvall, cannot but rejoice to learn that she is<br />

happy, Tor in <strong>the</strong>se spontaneous communications from unevoked spirits, may we not be<br />

satisfied as to <strong>the</strong> genuineness <strong>of</strong> <strong>the</strong>ir source <br />

A clergyman (I am in possession <strong>of</strong> <strong>the</strong> real name <strong>and</strong> address) also wrote testifying<br />

to Mr. <strong>Eglinton</strong>'s wonderful powers. " It may be useful to mention a simple <strong>and</strong> interesting<br />

test which I applied at <strong>the</strong> second <strong>of</strong> <strong>two</strong> very successful seances which I have attended. More<br />

than once I specially examined <strong>the</strong> ' crumb<br />

'<br />

<strong>of</strong> pencil before it was used. Small, thin pieces,<br />

with sharp edges, are employed. Immediately after a message or answer had been given I<br />

removed <strong>the</strong> pencil from <strong>the</strong> slate, where, as has been noticed by o<strong>the</strong>rs, it lay against <strong>the</strong> last<br />

word <strong>of</strong> <strong>the</strong> communications, <strong>and</strong> I observed that one <strong>of</strong> its angles was freshly worn down,<br />

exactly as would be <strong>the</strong> case in writing. This change in its substance, being produced in<br />

<strong>the</strong> very short interval during which it was placed on <strong>the</strong> slate, or between slates, <strong>and</strong><br />

hidden from view, <strong>and</strong> being coincident with <strong>the</strong> production <strong>of</strong> <strong>the</strong> writing <strong>and</strong> <strong>the</strong> scratching<br />

sound as <strong>of</strong> a pencil on <strong>the</strong> slate, proves as completely as such a thing can be proved that<br />

<strong>the</strong> pencil was used. This evidence, <strong>of</strong> course, confutes <strong>the</strong> suggestion, if it were tenable on<br />

o<strong>the</strong>r grounds, that <strong>the</strong> writing is prepared beforeh<strong>and</strong>. That <strong>the</strong> medium himself h<strong>and</strong>led<br />

<strong>the</strong> tiny fragment <strong>of</strong> pencil as it thus travelled across <strong>the</strong> slate in <strong>the</strong> confined space between<br />

slate <strong>and</strong> table, or between <strong>the</strong> <strong>two</strong> slates pressed toge<strong>the</strong>r, is to those who have watched <strong>the</strong><br />

occurrence in <strong>the</strong> clearest light entirely out <strong>of</strong> <strong>the</strong> question. It is quite possible for a<br />

prejudiced person under <strong>the</strong> guise <strong>of</strong> full examination to annoy a medium with unreasonable<br />

requirements. But <strong>the</strong> c<strong>and</strong>id <strong>and</strong> thorough inquiry into minute particulars which is necessary<br />

in <strong>the</strong> investigation <strong>of</strong> such marvels, Mr. <strong>Eglinton</strong> treats very amiably <strong>and</strong> indeed asks for.<br />

I may suggest that <strong>the</strong> observation <strong>of</strong> <strong>the</strong> slate pencil, as having been actually used when<br />

writing appears, has a place in <strong>the</strong> chain <strong>of</strong> scientific evidence."<br />

The h<strong>and</strong>writing <strong>of</strong> <strong>the</strong>se messages was <strong>of</strong>ten characteristic <strong>of</strong> "<strong>the</strong> dead." A good<br />

case <strong>of</strong> this kind is recorded by Dr. Nichols, who is supported in his testimony by three<br />

o<strong>the</strong>r well-known <strong>and</strong> responsible persons.<br />

" We sat in <strong>the</strong> full daylight round a very plain table for direct writing on slates.<br />

There were five persons present—Mr. Charles Blackburn, Mrs. Western, Miss Cook, Mr. <strong>Eglinton</strong>,<br />

<strong>and</strong> myself." After describing <strong>the</strong> indisputable conditions under which several small messages<br />

were written, Dr. Nichols continues :— " Two slates were cleaned <strong>and</strong> laid upon <strong>the</strong> top <strong>of</strong> <strong>the</strong><br />

table in full sight. A bit <strong>of</strong> pencil, about a quarter <strong>of</strong> an inch long, was placed between <strong>the</strong>m.<br />

All our h<strong>and</strong>s were joined, <strong>and</strong> thus holding each o<strong>the</strong>r we watched <strong>and</strong> listened. In a few<br />

seconds we heard <strong>the</strong> sound <strong>of</strong> rapid writing—<strong>the</strong>n <strong>the</strong> signal raps. Removing <strong>the</strong> upper<br />

slate we found a message (Fig. 19) <strong>of</strong> fifteen lines, containing one hundred <strong>and</strong> twenty-six<br />

words, in a h<strong>and</strong>writing perfectly familiar to me, <strong>and</strong> totally unlike that <strong>of</strong> any person present :<br />

IS

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