09.02.2015 Views

'Twixt two worlds : a narrative of the life and work of William Eglinton

'Twixt two worlds : a narrative of the life and work of William Eglinton

'Twixt two worlds : a narrative of the life and work of William Eglinton

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

On Materialisations <strong>and</strong> Apparitions formed with <strong>the</strong> Medium in Full View. i6g<br />

<strong>of</strong> gratification, <strong>and</strong> made repeated but ineffectual efforts to reach Mr. Amos. She seemed, when<br />

walking, to be encumbered by <strong>the</strong> drapery, which she held extended in front <strong>of</strong> her person.<br />

Up to this time, with <strong>the</strong> exception <strong>of</strong> ' Daisy,' not one <strong>of</strong> <strong>the</strong> materialised forms had been<br />

able to speak. A male figure next stepped before <strong>the</strong> curtain, <strong>and</strong>, advancing <strong>two</strong> strides only,<br />

paused, <strong>and</strong> gazed earnestly round <strong>the</strong> circle. He held up to his mouth a portion <strong>of</strong> his<br />

drapery, partly concealing <strong>the</strong>reby <strong>the</strong> lower part <strong>of</strong> his face. We inquired <strong>of</strong> each o<strong>the</strong>r<br />

in turn, but he was declared by all to be an entire stranger. I asked, Have you come ' to<br />

any one in particular '<br />

' To our surprise <strong>the</strong> form replied in an audible voice, No,' <strong>and</strong><br />

<strong>the</strong>n carried on a conversation <strong>of</strong> some minutes' duration. A powerfully built, broad-shouldered,<br />

male figure, with a dark Oriental face <strong>and</strong> h<strong>and</strong>some features, but quite unknown to <strong>the</strong> circle,<br />

now walked forward. After traversing <strong>the</strong> room he grasped <strong>the</strong> back <strong>of</strong> one <strong>of</strong> <strong>the</strong> chairs,<br />

<strong>and</strong> raising it steadily with one arm, flourished it several times over his head, <strong>and</strong> brought it<br />

noiselessly to <strong>the</strong> ground. At my request he shook h<strong>and</strong>s, with a vigour for which I was<br />

not prepared, completely pulling me forward from my seat. Before leaving, he also shook<br />

h<strong>and</strong>s with Mrs. W. Theobald. During <strong>the</strong> time this powerful spirit was in <strong>the</strong> circle <strong>the</strong><br />

curtain was partially lifted, revealing a tall, white form in <strong>the</strong> inner room. On my remarking<br />

it, <strong>the</strong> well-known voice <strong>of</strong> 'Joey' responded from behind <strong>the</strong> curtain, 'It is I.' Some little<br />

time elapsed after <strong>the</strong> departure <strong>of</strong> our muscular friend before <strong>the</strong> appearance <strong>of</strong> our ninth <strong>and</strong><br />

last visitor. He gazed earnestly at <strong>the</strong> circle, but did not attempt to come forward. This<br />

seance was noteworthy in three particulars. (i) The appearance <strong>of</strong> <strong>two</strong> forms in <strong>the</strong> circle<br />

at <strong>the</strong> same time. (2) The manifestation <strong>of</strong> physical strength in <strong>the</strong> action with <strong>the</strong> chair.<br />

(3) The incident <strong>of</strong> a materialised form speaking <strong>and</strong> holding a conversation with <strong>the</strong> circle.<br />

An examination <strong>of</strong> <strong>the</strong> inner room, at <strong>the</strong> close <strong>of</strong> <strong>the</strong> seance, revealed that nothing had been<br />

disturbed. The adhesive slip <strong>of</strong> paper was intact, <strong>and</strong> by no possibility could anyone have<br />

gained access to <strong>the</strong> apartment."<br />

A good case <strong>of</strong> materialisation, in which <strong>the</strong> identity <strong>of</strong> <strong>the</strong> manifesting spirit is clearly<br />

revealed, is related by Colonel Lean :<br />

" In <strong>the</strong> year 1878, I attended some remarkable<br />

seances, which I think are worth recording. Mr. <strong>Eglinton</strong>, whom at that time I had not<br />

<strong>the</strong> pleasure <strong>of</strong> knowing personally, was <strong>the</strong>n giving a series <strong>of</strong> seances, at <strong>the</strong> rooms <strong>of</strong><br />

<strong>the</strong> British National Association <strong>of</strong> Spiritualists, in Great Russell Street. My wife <strong>and</strong> I<br />

arranged with <strong>the</strong> secretary to be present at three <strong>of</strong> <strong>the</strong>m. On <strong>the</strong> first evening we<br />

found several well-known persons assembled in <strong>the</strong> large seance room <strong>of</strong> that association.<br />

There was a cabinet with a black curtain prepared for <strong>the</strong> medium, which we examined.<br />

The door was <strong>the</strong>n locked, <strong>and</strong> we sat in a half-circle facing <strong>the</strong> cabinet, with <strong>the</strong> gas<br />

burning in a gaselier pendant from <strong>the</strong> ceiling, giving sufficient light for us to sec distinctly<br />

all that happened, thus precluding <strong>the</strong> possibility <strong>of</strong> any accomplice entering <strong>the</strong> room (Fig.<br />

31). Various phenomena occurred, <strong>and</strong> <strong>the</strong>n Mr. <strong>Eglinton</strong>, dressed in evening clo<strong>the</strong>s,<br />

came out <strong>of</strong> <strong>the</strong> cabinet in a state <strong>of</strong> semi-trance, <strong>and</strong> walking up to my wife <strong>and</strong> self,<br />

appeared to be absorbing our magnetism by waving his h<strong>and</strong>s over us. He <strong>the</strong>n returned<br />

to <strong>the</strong> cabinet, <strong>and</strong> we heard him drop heavily into his chair. At <strong>the</strong> same moment <strong>the</strong><br />

curtain was drawn on one side, <strong>and</strong> <strong>the</strong> materialised form <strong>of</strong> a woman, robed in white,<br />

stood before us. In this figure we both instantly recognised a sister <strong>of</strong> my wife, called<br />

Emily, who had been dead about six years. As Emily had been <strong>of</strong> a sallow complexion<br />

22

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!