'Twixt two worlds : a narrative of the life and work of William Eglinton
'Twixt two worlds : a narrative of the life and work of William Eglinton
'Twixt two worlds : a narrative of the life and work of William Eglinton
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CHAPTER XVII.<br />
ON MATERIALISATIONS AND APPARITIONS FORMED WITH THE MEDIUM<br />
IN FULL VIEW.<br />
1CATTERED through <strong>the</strong> records I have already dealt with are many allusions<br />
to materialisation, or <strong>the</strong> presentation <strong>of</strong> portions or <strong>the</strong> whole <strong>of</strong> a human<br />
figure apart from <strong>the</strong> medium. I now proceed to give (i) a few additional<br />
testimonies for <strong>the</strong> phenomena <strong>of</strong> materialisation under ordinary conditions<br />
<strong>and</strong> (2) evidence for <strong>the</strong> formation <strong>of</strong> <strong>the</strong>se " apparitions " in <strong>the</strong> light in<br />
full view <strong>of</strong> <strong>the</strong> witnesses, <strong>and</strong> while <strong>the</strong> medium is in <strong>the</strong>ir midst.<br />
Before doing so, however, I desire to describe briefly <strong>the</strong> Chromo plates appearing in<br />
this volume, as by so doing <strong>the</strong> reader will be in a better position to underst<strong>and</strong> many <strong>of</strong><br />
<strong>the</strong> references in <strong>the</strong> <strong>narrative</strong>s I shall shortly have to quote.<br />
Mr. Keulemans, one <strong>of</strong> <strong>the</strong> most painstaking investigators in Spiritualism that I know, has<br />
exercised his artistic gifts to depict a few <strong>of</strong> <strong>the</strong> phenomena incident to materialisation seances, <strong>and</strong><br />
he has kindly reproduced some <strong>of</strong> <strong>the</strong>se for this <strong>work</strong>.<br />
Description<br />
<strong>of</strong> <strong>the</strong> Eight Chromo Plates.<br />
These representations <strong>of</strong> spiritual phenomena will be readily recognised by those who<br />
have personally investigated <strong>the</strong> subject. They are reproductions <strong>of</strong> original pencil sketches,<br />
water-colour, <strong>and</strong> crayon drawings, prepared immediately after <strong>the</strong> seances, <strong>and</strong> <strong>the</strong> originals<br />
are, in <strong>the</strong>ir turn, as nearly as possible, faithful representations <strong>of</strong> <strong>the</strong> phenomena ; Mr. Keulemans,<br />
I may mention, being accustomed to sketching from <strong>life</strong> (moving <strong>life</strong>) <strong>and</strong> from memory. I<br />
may now briefly describe <strong>the</strong> series <strong>of</strong> plates, <strong>and</strong> in doing so shall present, in abstract,<br />
Mr. Keulemans' own already published description.<br />
Fig. 1 (plate I) represents a light, or a substance radiating " light," a term used in<br />
contradistinction to <strong>the</strong> cloudy luminosities frequently witnessed near <strong>the</strong> medium's person,<br />
<strong>and</strong> which appear to be connected with, or to indicate <strong>the</strong> presence <strong>of</strong>, <strong>the</strong> «o;/-materialised<br />
spirit. Fig. \a is <strong>the</strong> same luminous substance seen from <strong>the</strong> side. These <strong>two</strong> figures should<br />
be compared with Figs. 2 <strong>and</strong> 2a. Fig. la is also a side view <strong>of</strong> Fig. 2, <strong>and</strong> represents <strong>the</strong><br />
same light under different conditions. The cause <strong>of</strong> <strong>the</strong>se enormous variations in power <strong>of</strong><br />
luminosity is believed to be principally atmospheric. Fig. 2. This light varies from a bright<br />
greenish blue to a pale greenish yellow, <strong>and</strong> is at times transparent like crystal, but more <strong>of</strong>ten