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lobby, restaurants, ballrooms and in 350 suites. The<br />
job took more than 50 days to complete.<br />
So what are the complications in doing business with<br />
China and what did it take to get a foothold there?<br />
We have an excellent relationship with clients in<br />
China over a long period. But it’s a market that<br />
requires a lot of work in terms of building contacts<br />
and respect. The rules can change a lot and it takes<br />
perseverance. The Chinese place a lot of emphasis<br />
on trust and once they trust you it could be the start<br />
of a long working relationship.<br />
Are some galleries and collectors still wary of<br />
interacting with the Chinese market?<br />
Perhaps. Things are gradually improving but China is<br />
finding it difficult to shake of its historical reputation<br />
for late payments at auctions and inconsistencies in<br />
deliveries. But our global network and standardised<br />
service has been a major factor in our growth in<br />
the Far East as we have been able to offer Western<br />
companies peace of mind when dealing with China.<br />
As China embraces the international art market the<br />
situation will necessarily change as it will need to<br />
adopt standards and service ethos in line with the<br />
expectations of global collectors in order to compete.<br />
The will is certainly there to deal with them. The<br />
recent visit by Chinese Premier Li Keqiang to London,<br />
where he met the Queen and Prime Minister David<br />
Cameron, underlines a desire in the UK in particular<br />
to do business with China - and the art world is no<br />
different.<br />
When you consider Wang Jianlin, China’s wealthiest<br />
individual, bought a $28m Picasso at auction at<br />
Christie’s in New York last year, it is a market that<br />
cannot be ignored.<br />
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