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lobby, restaurants, ballrooms and in 350 suites. The<br />

job took more than 50 days to complete.<br />

So what are the complications in doing business with<br />

China and what did it take to get a foothold there?<br />

We have an excellent relationship with clients in<br />

China over a long period. But it’s a market that<br />

requires a lot of work in terms of building contacts<br />

and respect. The rules can change a lot and it takes<br />

perseverance. The Chinese place a lot of emphasis<br />

on trust and once they trust you it could be the start<br />

of a long working relationship.<br />

Are some galleries and collectors still wary of<br />

interacting with the Chinese market?<br />

Perhaps. Things are gradually improving but China is<br />

finding it difficult to shake of its historical reputation<br />

for late payments at auctions and inconsistencies in<br />

deliveries. But our global network and standardised<br />

service has been a major factor in our growth in<br />

the Far East as we have been able to offer Western<br />

companies peace of mind when dealing with China.<br />

As China embraces the international art market the<br />

situation will necessarily change as it will need to<br />

adopt standards and service ethos in line with the<br />

expectations of global collectors in order to compete.<br />

The will is certainly there to deal with them. The<br />

recent visit by Chinese Premier Li Keqiang to London,<br />

where he met the Queen and Prime Minister David<br />

Cameron, underlines a desire in the UK in particular<br />

to do business with China - and the art world is no<br />

different.<br />

When you consider Wang Jianlin, China’s wealthiest<br />

individual, bought a $28m Picasso at auction at<br />

Christie’s in New York last year, it is a market that<br />

cannot be ignored.<br />

57

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