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PACIFIC WORLD - The Institute of Buddhist Studies

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158<br />

Pacific World<br />

NOTES<br />

1. Yüan-shih T’ien-tsun seems to have been an abstract figure created by the<br />

composer <strong>of</strong> the Tu-jen ching, not the focus <strong>of</strong> any pre-existing cultus. One<br />

should also note that scholarly references to Yüan-shih T’ien-tsun nearly<br />

always assign a masculine gender to this figure, though the scripture itself<br />

does not seem to specify any gender.<br />

2. Russell Kirkland, Taoism: <strong>The</strong> Enduring Tradition (London and New York:<br />

Routledge, 2004), p. 88. <strong>The</strong> first full translation and study <strong>of</strong> the Tu-jen ching<br />

appears in Stephen Bokenkamp, Early Daoist Scriptures (Berkeley: University<br />

<strong>of</strong> California Press, 1997), pp. 373–438. A recent summation <strong>of</strong> our knowledge<br />

<strong>of</strong> Ling-pao traditions is Yamada Toshiaki, “<strong>The</strong> Lingbao School,” in<br />

Daoism Handbook, ed. Livia Kohn (Leiden: Brill, 2000), pp. 225–255.<br />

3. Charles Orzech, “Chen-yen,” in Encyclopedia <strong>of</strong> Religion, ed. Mircea Eliade<br />

(New York: Macmillan, 1987), 3:237.

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