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PACIFIC WORLD - The Institute of Buddhist Studies

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Willams: Seeing through Images 47<br />

evidence that this was, in fact, how this ritual was implemented.<br />

Anecdotal information from sources such as biographies do, however,<br />

give us some indication <strong>of</strong> the general stance <strong>of</strong> the text, practice, and<br />

discourse communities surrounding the capital <strong>of</strong> Ye in the late sixth<br />

century. This information suggests that the meditative visualization <strong>of</strong> the<br />

buddhas and bodhisattvas was most commonly done in arrays and not<br />

singly. Daochuo’s (, 562–645) biography <strong>of</strong> Tanluan, a northeasterner,<br />

for example, has the following exchange between Tanluan and Emperor<br />

Jing (, r. 534–550 CE) <strong>of</strong> the Eastern Wei (534–550): 49<br />

<strong>The</strong> Lord came and reprimanded the Dharma Master, “<strong>The</strong> buddha<br />

lands <strong>of</strong> the ten directions are all constituted as pure lands. Why is<br />

it the Dharma Master only fixes his intent on the west? Is not this<br />

giving rise to a biased view?” <strong>The</strong> Dharma Master said, “Since I<br />

am an ordinary person, my wisdom is shallow and short [sighted].<br />

Since I have not yet entered the stages [<strong>of</strong> the bodhisattva path], I<br />

must constrain the power <strong>of</strong> my mindfulness (nian).<br />

<br />

<br />

Tanluan’s religious practice focused only on the visualization <strong>of</strong> one buddha,<br />

Amitābha, his entourage, and the Pure Land in the west, not arrays <strong>of</strong><br />

buddhas. <strong>The</strong> passage quoted suggests a contrast between this visualization<br />

<strong>of</strong> a single buddha and the visualization practices focused on arrays<br />

<strong>of</strong> buddhas pursued more generally in the Ye area at that time.<br />

Our first direct, transmitted evidence that these registers, or rosters, <strong>of</strong><br />

buddhas were to be visualized comes from a short text, “<strong>The</strong> Great Outline<br />

<strong>of</strong> the Method for Paying Obeisance to the Buddhas at the Six Periods”<br />

(“Liushi libai fo fa dagang,” ) appended to the end <strong>of</strong> a<br />

text entitled “Text for Taking Vows at the Six Periods <strong>of</strong> the Day and Night”<br />

(“Zhouye liushi fayuan wen,” ) found toward the end <strong>of</strong><br />

Zhisheng’s 730 version <strong>of</strong> the ritual. This text is known also from a number<br />

<strong>of</strong> undated Dunhuang manuscripts. 50<br />

<strong>The</strong> Great Outline <strong>of</strong> the Method for Paying Obeisance to the Buddhas<br />

at the Six Periods. At each <strong>of</strong> the three times during the day and the<br />

three times during the night you should solemnly hold incense<br />

and flowers. You should enter the pagoda and, visualizing the<br />

image, silently make your <strong>of</strong>ferings, and circumambulate and<br />

venerate the Buddha. At dawn and at noon you should at both<br />

times separately intone the [names <strong>of</strong> the] fifty-three buddhas; the<br />

remainder should all be intoned as a group. At sunset and at the

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