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PACIFIC WORLD - The Institute of Buddhist Studies

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Willams: Seeing through Images 75<br />

Monastery Stele, which includes revisions to the Japanese edition by the<br />

author and further annotations by P. A. Herbert.<br />

17. On Sengchou’s life and his influence in the sixth and early seventh centuries<br />

see McRae, “<strong>The</strong> Northern School <strong>of</strong> Chinese Ch’an Buddhism,” pp. 31–50;<br />

and Chen, Monks and Monarchs, pp. 28–29, 151–154, and 170–179.<br />

18. XGSZ (Taishō, vol. 50, no. 2060, p. 548c.15).<br />

19. On Tanqian and his importance and contributions to the Ten Stages<br />

lineages and the Buddhism <strong>of</strong> this period, see Chen, Monks and Monarchs.<br />

For a translation <strong>of</strong> the relevant section <strong>of</strong> Tanqian’s repentance prayer see<br />

pp. 62–63 <strong>of</strong> this essay and Chen, Monks and Monarchs, p. 96 n. 25.<br />

20. <strong>The</strong> soteriological dimension derives from the claim that repentance<br />

rituals eliminated not only karma but kleśa, or defilements, as well. On how<br />

advancement on the <strong>Buddhist</strong> path to liberation was defined largely in<br />

terms <strong>of</strong> the kleśas eliminated, see, e.g., Collett Cox, “Attainment through<br />

Abandonment: <strong>The</strong> Sarvāstivādin Path <strong>of</strong> Removing Defilements,” in<br />

Paths to Liberation: <strong>The</strong> Mārga and Its Transformations in <strong>Buddhist</strong> Thought,<br />

ed. Robert E. Buswell, Jr. and Robert M. Gimello, Kuroda <strong>Institute</strong>, <strong>Studies</strong><br />

in East Asian Buddhism, no. 7 (Honolulu: University <strong>of</strong> Hawai’i Press,<br />

1992), pp. 63–105.<br />

21. Daoxuan, in his biography <strong>of</strong> Lingyu, refers to this cave temple as<br />

the “Jingang xingli zhuchi Naluoyan ku” (), or<br />

“<strong>The</strong> Cave <strong>of</strong> Nārāyana Upholder <strong>of</strong> the Residence <strong>of</strong> the Power <strong>of</strong> the<br />

Adamantine Nature”; see Taishō, vol. 50, no. 2060, p. 497b.11–12.<br />

22. This contrasts, <strong>of</strong> course, with the practice <strong>of</strong> circumambulating a<br />

stūpa or central image <strong>of</strong> a buddha or bodhisattva. Here the practitioner<br />

moves clockwise, thereby showing respect to the buddha or bodhisattva<br />

by keeping his or her right shoulder toward the image.<br />

23. All <strong>of</strong> the images in the cave are identified in the inscription<br />

written above the entrance on the outside; See Lee Yu-min, “Baoshan<br />

Dazhushengku chutan” (, Preliminary Study <strong>of</strong> the<br />

Tu-chu-sheng Cave at Mt. Pao), Gugong xueshu jikan () 16,<br />

no. 2 (Winter 1998): p. 8. Photographs <strong>of</strong> these images (only some <strong>of</strong> the<br />

thirty-five buddhas are represented) are provided in plates 2–20 in Lee,<br />

“Baoshan Dazhushengku chutan,” pp. 43–52. A transcription <strong>of</strong> the text<br />

accompanying the images <strong>of</strong> the twenty-four Indian patriarchs is provided<br />

at Lee, “Baoshan Dazhushengku chutan,” p. 42.<br />

Tokiwa Daijō () and his team were the first modern scholars<br />

to investigate Mt. Bao, its inscriptions, and its structures. After they arrived<br />

there on November 30, 1921 they extensively photographed the site and<br />

took rubbings <strong>of</strong> every inscription. Transcriptions <strong>of</strong> many <strong>of</strong> the more<br />

important rubbings were published in Tokiwa Daijō and Sekino Tadashi,

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