PACIFIC WORLD - The Institute of Buddhist Studies
PACIFIC WORLD - The Institute of Buddhist Studies
PACIFIC WORLD - The Institute of Buddhist Studies
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40<br />
Pacific World<br />
), which demonstrate clearly that the repentance rituals in which they<br />
engaged had a soteriological trajectory. 20 This soteriological dimension<br />
was properly a function <strong>of</strong> the meditative component <strong>of</strong> the paradigm.<br />
That it had become a function <strong>of</strong> the repentance component at this time<br />
may provide us with significant clues to how they viewed the dynamics <strong>of</strong><br />
liberation. By contextualizing the texts, rituals, and meditations as well as<br />
the issues that they raised we can, I think, reconstruct an important aspect<br />
<strong>of</strong> Ten Lineages practice at that time.<br />
2. THE “BUDDHA NAMES IN SEVEN REGISTERS”<br />
REPENTANCE RITUAL<br />
Lingyu’s cave temple, now referred to as Dazhu sheng ku (),<br />
or Cave <strong>of</strong> the Great Resident Sage, is located at the western end <strong>of</strong> a valley<br />
formed by a ring <strong>of</strong> eight hills. 21 A cave dedicated to Lingyu’s teacher,<br />
Daoping, is located near the crest <strong>of</strong> the hill at the eastern end <strong>of</strong> the valley.<br />
Lingyu’s cave opens to the south. It is a square room about two meters on<br />
a side. When one enters one faces Vairocana seated in a niche on the northern<br />
wall who, together with his two attendants, faces south. In the niche<br />
in the western wall are Amitābha and his two attendants facing east; the<br />
eastern wall has Maitreya and two attendants facing west. To Vairocana’s<br />
left is a vertical panel formed <strong>of</strong> seven squares, each containing one <strong>of</strong> the<br />
seven buddhas <strong>of</strong> the past. To Vairocana’s right is a similar panel containing<br />
the first seven <strong>of</strong> the thirty-five buddhas <strong>of</strong> repentance beginning with<br />
Śākyamuni Buddha at the top. <strong>The</strong> remaining twenty-eight buddhas are<br />
presented, in a counterclockwise direction, in panels to the left and right <strong>of</strong><br />
both Amitābha’s and Maitreya’s attendants. It appears that when the images<br />
<strong>of</strong> the buddhas and bodhisattvas to be venerated are arranged along the<br />
walls <strong>of</strong> a cave temple, the practitioner, by moving counterclockwise as the<br />
ritual proceeds, can keep his right shoulder moving toward the images to<br />
be venerated. 22 As one turns and looks out the entrance <strong>of</strong> the cave, there<br />
are three inscriptions on the inside <strong>of</strong> the south wall, one each to the left<br />
and right <strong>of</strong> the entrance and one above it. <strong>The</strong> inscription to the left <strong>of</strong> the<br />
entrance displays the images <strong>of</strong> the twenty-four Indian patriarchs together<br />
with short passages that identify them. It is perhaps our earliest extant such<br />
list. 23 To the right is inscribed a passage from the Mahāsamnipāta-sūtra on<br />
the decline <strong>of</strong> the Buddha’s Dharma. 24 On the outside wall <strong>of</strong> the cave, on<br />
the right-hand side as one looks out, are a series <strong>of</strong> inscriptions in three<br />
registers. 25<br />
Among the inscribed passages taken from <strong>Buddhist</strong> sutras carved on<br />
the outside <strong>of</strong> the cave temple there is one passage that presents an abridged<br />
(lue, ) rite <strong>of</strong> visionary repentance, the “Buddha Names in Seven Registers”<br />
(“Qijie foming,” ). 26 This is inscribed at the left end <strong>of</strong> the lower reg-