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PACIFIC WORLD - The Institute of Buddhist Studies

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Willams: Seeing through Images 73<br />

7. Daoxing Boruojing (), ch. 10 (Taishō, vol. 8, no. 224, p. 476b.17–<br />

22). <strong>The</strong> eight similes <strong>of</strong> the Buddha’s voice and body are as: (1) a lute, (2)<br />

a pipe, (3) an image, (4) a drum, (5) a painting, (6) a palace <strong>of</strong> the gods, (7)<br />

an echo, and (8) a magically created man. For a more complete discussion<br />

<strong>of</strong> these similes see Lewis Lancaster, “An Early Mahayana Sermon about<br />

the Body <strong>of</strong> the Buddha and the Making <strong>of</strong> Images,” Artibus Asiae 36, no.<br />

4 (1974): pp. 287–291.<br />

8. This has recently been translated into English by Paul Harrison; see Paul<br />

Harrison, trans., <strong>The</strong> Pratyutpanna Samādhi Sūtra, BDK English Tripiṭaka,<br />

25-II (Berkeley, CA: Numata Center for <strong>Buddhist</strong> Translation and Research,<br />

1998). For a critical edition <strong>of</strong> the later Tibetan versions <strong>of</strong> this sutra, as<br />

well as an English translation <strong>of</strong> this edition, see Paul Harrison, ed., <strong>The</strong><br />

Tibetan Text <strong>of</strong> the Pratyutpanna-Buddha-Sammukhāvasthita-Samādhi-<br />

Sūtra, Studia Philologica Buddhica, Monograph Series, no. 1 (Tokyo:<br />

Reiyukai Library, 1978); and Paul Harrison, trans., <strong>The</strong> Samādhi <strong>of</strong> Direct<br />

Encounter with the Buddhas <strong>of</strong> the Present: An Annotated English Translation<br />

<strong>of</strong> the Tibetan Version <strong>of</strong> the Pratyutpanna-Buddha-Sammukhvasthita-<br />

Samādhi-Sūtra, Studia Philologica Buddhica, Monograph Series, no. 5<br />

(Tokyo: International <strong>Institute</strong> for <strong>Buddhist</strong> <strong>Studies</strong>, 1990).<br />

9. See, e.g., Harrison, <strong>The</strong> Pratyutpanna Samādhi Sūtra, p. 18: “It is the same,<br />

Bhadrapāla, for the minds <strong>of</strong> the bodhisattvas: when they perform this<br />

calling to mind, the famous great mountains and the Mount Sumerus in<br />

all the Buddha-realms, and all the places <strong>of</strong> darkness between them, are<br />

laid open to them, so that their vision is not obscured, and their minds<br />

are not obstructed. <strong>The</strong>se bodhisattvas mahāsattvas do not see through<br />

[the obstructions] with the divine eye, nor hear through them with the<br />

divine ear, nor travel to that Buddha-field by means <strong>of</strong> the supernormal<br />

power <strong>of</strong> motion, nor do they die here to be reborn in that Buddha-field<br />

there, and only then see; rather, while sitting here they see the Buddha<br />

Amitābha, hear the sutras which he preaches, and receive them all. Rising<br />

from meditation they are able to preach them to others in full.”<br />

10. See, e.g., Harrison, <strong>The</strong> Pratyutpanna Samādhi Sūtra, pp. 28 and 29.<br />

11. See, for example, the division <strong>of</strong> late Six Dynasties and early Tang<br />

() dynasty schools into philosophical and practice traditions in the<br />

very influential article by Stanley Weinstein, “Imperial Patronage in the<br />

Formation <strong>of</strong> T’ang Buddhism,” in Perspectives on the T’ang, ed. Arthur F.<br />

Wright and Denis Twitchett (New Haven, CT: Yale University Press, 1973),<br />

pp. 268–274. In addition to the Ten Stages lineages other schools classified<br />

as philosophical include Tiantai, Faxiang (), and Huayan ().<br />

12. <strong>The</strong> most extensive treatment in English <strong>of</strong> Huiyuan’s commentary<br />

to the Guan Wuliangshou jing, or Visualization Sutra as it is called by Pure<br />

Land scholars and adherents, is by Kenneth Tanaka, <strong>The</strong> Dawn <strong>of</strong> Chinese

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