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Chapter 4: Tweaking output 116 } { \voiceFour 2 des2 } >> | 1 | � � �� The lower two notes of the first chord (i.e, those in the third voice) should not be shifted away from the note column of the higher two notes. To correct this we set force-hshift, which is a property of NoteColumn, of these notes to zero. The lower note of the second chord is best placed just to the right of the higher notes. We achieve this by setting force-hshift of this note to 0.5, ie half a note head’s width to the right of the note column of the higher notes. Here’s the final result: \new Staff \relative c'' { \key aes \major > | 1 | } � � � � � � � �� 4.5.3 Real music example We end this section on Tweaks by showing the steps to be taken to deal with a tricky example which needs several tweaks to produce the desired output. The example has been deliberately chosen to illustrate the use of the Notation Reference to resolve unusual problems with notation. It is not representative of more usual engraving process, so please do not let these difficulties put you off! Fortunately, difficulties like these are not very common! The example is from Chopin’s Première Ballade, Op. 23, bars 6 to 9, the transition from the opening Lento to Moderato. Here, first, is what we want the output to look like, but to avoid over-complicating the example too much we have left out the dynamics, fingering and pedalling.
Chapter 4: Tweaking output 117 � Moderato � � � � �� 4 6 � � � � � �� 4 6 � � � � �� We note first that the right hand part in the third bar requires four voices. These are the five beamed eighth notes, the tied C, the half-note D which is merged with the eighth note D, and the dotted quarter note F-sharp, which is also merged with the eighth note at the same pitch. Everything else is in a single voice, so the easiest way is to introduce these four voices temporarily at the time they are needed. If you have forgotten how to do this, look at Section 3.2.1 [I’m hearing Voices], page 44. Let us begin by entering the notes as two variables and setting up the staff structure in a score block, and see what <strong>LilyPond</strong> produces by default: rhMusic = \relative c'' { r2 c4. g8 | bes1~ | \time 6/4 bes2. r8 % Start polyphonic section of four voices > g2. } lhMusic = \relative c' { r2 2 | 1 | r2. d,,4 r4 r | r4 } \score { \new PianoStaff \new Staff = "LH" > >> } ��
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LilyPond Learning Manual The LilyPo
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Appendix A: Templates 167 \voiceOne
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Appendix A: Templates 169 } >> \lay
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Appendix A: Templates 171 \begin{li
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Appendix B: Scheme tutorial 173 App
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Appendix B: Scheme tutorial 175 TOD
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Appendix C: GNU Free Documentation
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Appendix D: LilyPond index 183 \sto
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mpdolce - LilyPond

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