mpdolce - LilyPond

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Chapter 4: Tweaking output 120 } � \new Staff = "LH" > >> � �� 4 �� 6 � 4 6 � � � � � � � � �� On to bar three and the start of the Moderato section. The tutorial showed how to add embolded text with the \markup command, so adding ‘Moderato’ in bold is easy. But how do we merge notes in different voices together? This is where we need to turn to the Notation Reference for help. A search for “merge” in the Notation Reference index quickly leads us to the commands for merging differently headed and differently dotted notes in Section “Collision resolution” in Notation Reference. In our example we need to merge both types of note for the duration of the polyphonic section in bar 3, so using the information we find in the Notation Reference we add \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn to the start of that section and \mergeDifferentlyHeadedOff \mergeDifferentlyDottedOff to the end, giving: rhMusic = \relative c'' { r2 c4.\( g8 | \once \override Tie #'staff-position = #3.5 bes1~ | \bar "||" \time 6/4 bes2.^\markup {\bold "Moderato"} r8 \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn % Start polyphonic section of four voices > \mergeDifferentlyHeadedOff \mergeDifferentlyDottedOff ��
Chapter 4: Tweaking output 121 } g2.\) lhMusic = \relative c' { r2 2( | 1)\arpeggio | r2. d,,4 r4 r | r4 } \score { \new PianoStaff \new Staff = "LH" > >> } Moderato � � � � � � �� 4 � 6 � � � �� 4 �� 6 These overrides have merged the two F-sharp notes, but not the two on D. Why not? The answer is there in the same section in the Notation Reference – notes being merged must have stems in opposite directions and two notes cannot be merged successfully if there is a third note in the same note column. Here the two D’s both have upward stems and there is a third note – the C. We know how to change the stem direction using \stemDown, and the Notation Reference also says how to move the C – apply a shift using one of the \shift commands. But which one? The C is in voice two which has shift off, and the two D’s are in voices one and three, which have shift off and shift on, respectively. So we have to shift the C a further level still using \shiftOnn to avoid it interfering with the two D’s. Applying these changes gives: rhMusic = \relative c'' { r2 c4.\( g8 | \once \override Tie #'staff-position = #3.5 bes1~ | \bar "||" \time 6/4 bes2.^\markup {\bold "Moderato"} r8 \mergeDifferentlyHeadedOn \mergeDifferentlyDottedOn % Start polyphonic section of four voices ��
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LilyPond Learning Manual The LilyPo
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3 Fundamental concepts . . . . . .
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Preface 1 Preface It must have been
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Chapter 2: Tutorial 11 2 Tutorial T
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Appendix A: Templates 171 \begin{li
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Appendix B: Scheme tutorial 173 App
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Appendix B: Scheme tutorial 175 TOD
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Appendix C: GNU Free Documentation
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Appendix D: LilyPond index 183 \sto
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Appendix D: LilyPond index 185 H ha
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Appendix D: LilyPond index 187 rest
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