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Chapter 3: Fundamental concepts 52<br />
A note column can contain just one note (or chord) from a voice with stems up and one note<br />
(or chord) from a voice with stems down. If notes from two voices which have their stems in the<br />
same direction are placed at the same position and both voices have no shift or the same shift<br />
specified, the error message “Too many clashing note columns” will be produced.<br />
See also<br />
Notation Reference: Section “Multiple voices” in Notation Reference.<br />
3.2.3 Voices and vocals<br />
Vocal music presents a special difficulty: we need to combine two expressions – notes and lyrics.<br />
You have already seen the \addlyrics{} command, which handles simple scores well. However,<br />
this technique is quite limited. For more complex music, you must introduce the lyrics in a<br />
Lyrics context using \new Lyrics and explicitly link the lyrics to the notes with \lyricsto{},<br />
using the name assigned to the Voice.<br />
><br />
�<br />
�<br />
4 � � 2 �<br />
� �� � �<br />
�<br />
No more let sins and sor rows<br />
�<br />
�<br />
�<br />
grow.<br />
Note that the lyrics must be linked to a Voice context, not a Staff context. This is a case<br />
where it is necessary to create Staff and Voice contexts explicitly.<br />
The automatic beaming which <strong>LilyPond</strong> uses by default works well for instrumental music,<br />
but not so well for music with lyrics, where beaming is either not required at all or is used to<br />
indicate melismata in the lyrics. In the example above we use the command \autoBeamOff to<br />
turn off the automatic beaming.<br />
Let us reuse the earlier example from Judas Maccabæus to illustrate this more flexible technique.<br />
We first recast it to use variables so the music and lyrics can be separated from the staff<br />
structure. We also introduce a ChoirStaff bracket. The lyrics themselves must be introduced<br />
with \lyricmode to ensure they are interpreted as lyrics rather than music.<br />
global = { \time 6/8 \partial 8 \key f \major}<br />
SopOneMusic = \relative c'' {<br />
c8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ c4 }<br />
SopTwoMusic = \relative c' {<br />
r8 | r4. r4 c8 | a'([ g)] f f([ e)] d | e([ d)] c bes' }<br />
SopOneLyrics = \lyricmode {<br />
Let | flee -- cy flocks the | hills a -- dorn, __ }<br />
SopTwoLyrics = \lyricmode {<br />
Let | flee -- cy flocks the | hills a -- dorn, }