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Chapter 3: Fundamental concepts 69<br />
3.4.1 Soprano and cello<br />
Start off with the template that seems closest to what you want to end up with. Let’s say that<br />
you want to write something for soprano and cello. In this case, we would start with ‘Notes and<br />
lyrics’ (for the soprano part).<br />
\version "2.12.3"<br />
melody = \relative c' {<br />
\clef treble<br />
\key c \major<br />
\time 4/4<br />
a4 b c d<br />
}<br />
text = \lyricmode {<br />
Aaa Bee Cee Dee<br />
}<br />
\score {<br />
><br />
\layout { }<br />
\midi { }<br />
}<br />
Now we want to add a cello part. Let’s look at the ‘Notes only’ example:<br />
\version "2.12.3"<br />
melody = \relative c' {<br />
\clef treble<br />
\key c \major<br />
\time 4/4<br />
a4 b c d<br />
}<br />
\score {<br />
\new Staff \melody<br />
\layout { }<br />
\midi { }<br />
}<br />
We don’t need two \version commands. We’ll need the melody section. We don’t want two<br />
\score sections – if we had two \scores, we’d get the two parts separately. We want them<br />
together, as a duet. Within the \score section, we don’t need two \layout or \midi.<br />
If we simply cut and paste the melody section, we would end up with two melody definitions.<br />
This would not generate an error, but the second one would be used for both melodies. So<br />
let’s rename them to make them distinct. We’ll call the section for the soprano sopranoMusic<br />
and the section for the cello celloMusic. While we’re doing this, let’s rename text to be<br />
sopranoLyrics. Remember to rename both instances of all these names – both the initial<br />
definition (the melody = \relative c' { part) and the name’s use (in the \score section).