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The principles of Latin grammar; comprising the ... - Essan.org

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§163 PROSODY.—METRE. 3196. Those feet, <strong>the</strong>n, accordiDg to <strong>the</strong> ancients, were called isochronous^which were capable <strong>of</strong> being divided into parts that were equal in time,so that a short syllable should correspond to a short ; and a long to along, or to two short ; thus, in Iambic aud Trochaic verse.Iambus ^ — Trochee —Tribrach vTribrach w wIn Dactylic and Anapaestic ;Dactyl —Spondee -thus,Anapaest^ ^Spondee —853.—But feet which cannot be divided in this manner, are not isochronous,though <strong>the</strong>y have <strong>the</strong> same time ;thus, <strong>the</strong> Iambus and Trochee,though equal in time, cannot be divided so as to have <strong>the</strong> correspondingparts <strong>of</strong> equal length ;thus,Iambus,^Trochee, —854.—Hence <strong>the</strong>se feet are not interchangeable, or isochronous ; andfor this reason a Trochee is never admitted into Iambic verse nor anIambus into Trochaic. <strong>The</strong> same is true <strong>of</strong> <strong>the</strong> Spondee, ( ) andAmphibrach ( ^ — ^ ), and <strong>of</strong> <strong>the</strong> Amphibrach with <strong>the</strong> Dactyl orAnapaest855.—§ 163. OF METRE.1. Metre, in its general sense, means an arrangement <strong>of</strong> syllables andfeet in verse, according to certain rules ; and, in this sense, applies, notonly to an entire verse, but to part <strong>of</strong> a verse, or to any number <strong>of</strong> verses.A metre, in a specific sense, means a combination <strong>of</strong> two feet (sometimescalled a syzygy), and sometimes one foot only.<strong>The</strong> distinction between rhythm and metre is this :—<strong>the</strong> former refersto <strong>the</strong> time only, in regard tc which, two short syllables are equivalent toone long ; <strong>the</strong> latter refers both to <strong>the</strong> time and <strong>the</strong> order <strong>of</strong> <strong>the</strong> syllables.<strong>The</strong> rhythm <strong>of</strong> an anapaest and dactyl is <strong>the</strong> 'same; <strong>the</strong> metre different.<strong>The</strong> term rhythm, is also understood in a more comprehensive sense, andis applied to <strong>the</strong> harmonious construction and enunciation <strong>of</strong> feet and wordsin connection ; thus, a line has rhythm when it contains any number <strong>of</strong>metres <strong>of</strong> equal time, without regard to <strong>the</strong>ir order. Metre requires acertain number <strong>of</strong> metres, and <strong>the</strong>se arranged in a certain oi der. Thus,in this line,Panditur interea domus omnipotentisOlympi,<strong>the</strong>re is both rhythm (as it contains six metres <strong>of</strong> equal value in respect<strong>of</strong> time) and metre, as <strong>the</strong>se metres are arranged according to <strong>the</strong> canor

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