Aberystwyth University - ABWTH A4062 English and Creative WritingJem Poster (Professor and Director of CreativeWriting)Poet and novelist: author of Brought to Light(2001), Courting Shadows (2002) and RiflingParadise (2006). Jem’s main teaching interestsare in creative writing and twentieth-century/contemporary fiction and poetry. He is editorof George Crabbe: Selected Poetry and authorof The Thirties Poets. Winner, in 2003, of oneof the Arts Council’s annual Writers’ Awardsin respect of Rifling Paradise. Jem is a regularreviewer of new fictionfor The Guardian. Heis currently editing,for Oxford UniversityPress, volume 2 of thesix-volume SelectedProse of EdwardThomas.Sarah Prescott( S e n i o rLecturer)Main researchinterests are ins e v e n t e e n t h -and eighteenthcenturyWelshWriting inEnglish, women’swriting, 1600-1800; literatureand nationalidentities, andwomen’s literary history. Sarah is author ofWomen, Authorship and Literary Culture, 1690-1740 (Palgrave 2003), and Eighteenth-CenturyWriting from Wales: Bards and Britons (WritingWales in English series for the University ofWales Press, 2008; Finalist for the Roland MathiasPrize for Welsh Writing in English 2009), andhas co-edited a collection of essays on Womenand Poetry 1660-1750 (Palgrave 2003). She iscurrently working on a British Academy-fundedproject on Seventeenth and Eighteenth-CenturyWomen Writers from Wales for the Universityof Wales Press series Gender Studies in Wales,co-editing a collection of essays on Writing Walesfrom the Reformation to Romanticism (Universityof Wales Press) and co-writing volume three(1546-1914) of the Oxford Literary History ofWales (Oxford University Press).Dr Prescott is the Research Leader for Writing Wales:1500-1800 for IMEMS. Her additional interestsinclude seventeenth and eighteenth-centuryperiodicals by women and detective fiction.Elisabeth Salter (Lecturer)Teaches Medieval and Renaissance literature andliterary theory with a particular focus on popularliteratures of this period and later. Her mainpublications include: Cultural Creativity in theEarly English Renaissance: Popular Culture in Townand Country (Palgrave 2006), Six Renaissance Men& Women: Innovation, Biography and CulturalCreativity in Tudor England (Ashgate 2007),and Popular Reading in English: Evidence andExperience, c. 1400-1600 (Manchester UniversityPress, 2009); and two edited collections: with RGALutton, Pieties in Transition: Religious Practicesand Experiencesc 1 4 0 0 - 1 6 4 0(Ashgate 2007);with Helen Wicker,V e r n a c u l a r i t yin England andWales c.1350-1550, UtrechtStudies in MedievalLiteracy (Boydelland Brewer,forthcoming 2010).As a member ofIMEMS, Elisabethis currently developing an internationalcollaborative project centred on the MostynArchive held in the National Library of Wales.Michael Smith (Lecturer and Director ofUndergraduate Programmes)Teaching interests include most aspects ofsixteenth- and seventeenth-century literature,especially early Tudor and Elizabethan drama,the literature of the Henrician court, the workof Edmund Spenser, John Milton and AndrewMarvell, writing about London in the earlymodern period; nineteenth- and twentiethcenturycrime fiction, British and American.William Slocombe (Lecturer)Teaches nineteenthandtwentieth-centuryliterature, Americanliterature, and literarytheory. His mainresearch interestsare postmodernism,post-1945 literature,narratology and newmedia narratology, andmetafictions. He is theauthor of Nihilism andthe Sublime Postmodern(Routledge, 2005), and he has published inTextual Practice, Modern Fiction Studies, andEnglish Language Notes. He is currently workingon projects exploring metafiction and criticalself-reflexivity.Luke Thurston (Lecturer)Main teaching and research interests are inmodernist and contemporary literature, Irishliterature, psychoanalysis, literary theory andtranslation. He is the author of James Joyceand the Problem of Psychoanalysis (Cambridge,2004), the editor of Re-inventing the Symptom:Essays on the Final Lacan (Other Press, 2002)and the translator ofpsychoanalytic textsby André Green,Jean Laplanche andRoberto Harari. He isa contributor to theBlackwell Companionto Joyce (2008)and James Joyce inContext (Cambridge,forthcoming). He iscurrently workingon a study of ghostsin Victorian andmodernist literature.Damian Walford Davies (Reader andCo-Director of the Centre for RomanticStudies)Teaches Romanticism, Victorian literature, andWelsh Writing in English. Research interestsinclude literature and politics in the age of theFrench revolution; nineteenth- and twentiethcenturypoetry; the two literatures of Wales;and creative writing. Damian is the author of amonograph on the interface between literatureand radical culture in the 1790s, Presencesthat Disturb: Models of Romantic Identity in
Aberystwyth University - ABWTH A40English and Creative Writing 63the Literature andCulture of the 1790s(2002; co-recipientof the Foster WatsonMemorial Gift), and ofa number of articleson nineteenth- andtwentieth- centur yliterature. He is theeditor of Echoes to theAmen: Essays after R.S.Thomas (2003) and ofRomanticism, History,Historicism: Essayson an Orthodoxy (2008), and co-editor of TheMonstrous Debt: Modalities of Romantic Influencein Twentieth-Century Literature (2006) and ofWales and the Romantic Imagination (2007).He has also edited Waldo Williams: Rhyddiaith(Waldo Williams: Prose Works, 2001; winner ofthe 2002/03 Sir Ellis Griffith and L. W. DaviesPrizes), and co-edited Cof ac Arwydd: YsgrifauNewydd ar Waldo Williams (Memory and Sign:New Essays on Waldo Williams, 2006). He haspublished an edited collection of creative nonfictionessays, Megalith (2006), and a co-writtenvolume of poetry, Whiteout (2006). His first solocollection, Suit of Lights, was published by Serenin 2009. He is currently completing a monographentitled Cartographies of Culture, and is GeneralEditor of the forthcoming four-volume OxfordLiterary History of Wales.Diane Watt (Professor, Head of Department,IMEMS Deputy Director)Lectures in Medieval and Renaissance Literature.Her main research interests are in Ricardianpoetry, especially Chaucer and Gower, women’sand religious writings and in the Middle Agesand Renaissance, and premodernand early modernconstructions of genderand sexuality. Diane’sbooks include Secretariesof God: Women Prophetsin Late Medieval and EarlyModern England (DS Brewer,1997; winner of the FosterWatson Memorial Gift 1998),Amoral Gower: Language,Sex and Politics (Universityof Minnesota Press, 2003;winner of the John Hurt Fisher Prize2004), and The Letters of the PastonWomen (DS Brewer, 2004), andMedieval Women’s Writing (Polity,2008). Her teaching and researchinterests also include women’s and genderstudies and feminist and queer theory.Tim Woods (Professor, Dean of Arts)Main teaching and research interests aretwentieth-century writing; contemporaryBritish and American poetry; modernism andpostmodernism; literary theory, especiallyMarxism and post structuralism; Africanliteratures in English. His main publications areBeginning Postmodernism (1999; 2nd edition,2008), and Who’s Who of Twentieth-CenturyNovelists (2000), The Poetics of the Limit (2002).Tim is co-author of Literatures of Memory (2001)and co-editor of ‘I’m telling you Stories’: JeanetteWinterson and the Politics of Reading (1998),Critical Ethics (1999) and The Ethics of Literature(1999). He is a previous member of the ExecutiveCommittee of the British Association for AmericanStudies (BAAS) and joint editor with PeterMiddleton of Torque Press poetry publications.He is Series Co-editor with Helena Grice of theEdinburgh University Press series RepresentingAmerican Events, for which they are currentlywriting a book on the Great Depression, andhe is also writing a book on literature in SouthAfrica, entitled Post-Apartheid Narratives: SouthAfrican Literatures in Transition (due in <strong>2011</strong>).His latest monograph is entitled African Pasts:History and Memory in African Literature (2007).Dr Kate Wright (Lecturer)Teaches twentieth- and twenty-first centuryBritish and American literature and literarytheory. Her main research interests are Africanliterature in English, contemporary Britishwomen’s literature, with a focus on literaryrepresentations of multicultural societies,and feminist theory. She is working on amonograph entitled Three African WomenNovelists: Flora Nwapa, Buchi Emecheta andTsitsi Dangarembga (Manchester UniversityPress, 2009).