13.07.2015 Views

Statistics on Cultural Industries - International Trade Centre

Statistics on Cultural Industries - International Trade Centre

Statistics on Cultural Industries - International Trade Centre

SHOW MORE
SHOW LESS
  • No tags were found...

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

COMPONENT B - MODULE 3Comp<strong>on</strong>ent B - Module 3:Employment in the <strong>Cultural</strong> <strong>Industries</strong>Objectives••To develop a methodology for determining employment in the cultural industries.To determine changes in occupati<strong>on</strong>al patterns over the last 50 years in the cultural industriessector, in the Asia-Pacific regi<strong>on</strong>.Methodological NotesInformati<strong>on</strong> about occupati<strong>on</strong>al levels and the total number of workers engaged in the creativeor cultural sector, as well as data <strong>on</strong> changes in occupati<strong>on</strong>al patterns over time, is valuable forpolicy makers because of the need to optimize the use of resources and effectively target needs.Informati<strong>on</strong> <strong>on</strong> the relati<strong>on</strong>ship between changes in occupati<strong>on</strong>al trends (from census data) andeducati<strong>on</strong>al and training trends (from nati<strong>on</strong>al survey data) provide valuable indicati<strong>on</strong>s of thechanges that are taking place in society.The informati<strong>on</strong> collected should include the size of the workforce, by occupati<strong>on</strong>al grouping,labour supply and labour-market participati<strong>on</strong> rates, as well as wage rates and earnings. Data <strong>on</strong>earnings are likely to be especially relevant with regard to the artistic labour force, since grantsto artists are an important policy instrument in promoting the creative or cultural sector in manycountries of the Asia-Pacific regi<strong>on</strong>.The data sources for such informati<strong>on</strong> vary and can include establishment surveys, labour forcesurveys, and census data. In general, employment data for the cultural sector is more accuratelycaptured through Standard Industry Classificati<strong>on</strong>s (SIC) than through Standard Occupati<strong>on</strong>alClassificati<strong>on</strong> (SOC), as SIC data provide informati<strong>on</strong> directly related to the industry rather than toprofessi<strong>on</strong>al training, which may or may not be c<strong>on</strong>sistent with a pers<strong>on</strong>’s occupati<strong>on</strong>.Additi<strong>on</strong>al informati<strong>on</strong> is found in census data, which has the advantage of providing broadersocio-ec<strong>on</strong>omic informati<strong>on</strong> <strong>on</strong> the employment situati<strong>on</strong> of creative industry workers.Where census data is not available or is incomplete, the absence of reliable data can make it difficultto map activities in the cultural industries sector. The cultural industries sector is characterizedby high-levels of self-employment and small enterprises that are often part of the n<strong>on</strong>-formalec<strong>on</strong>omy. Business and establishment surveys/inquiries do not usually collect data <strong>on</strong> thesebusinesses and <strong>on</strong>ly include a limited sampling of SMEs.Data CoverageFor the definiti<strong>on</strong> of the involved industries used in Module 3, refer to Annex 1 (occupati<strong>on</strong> subsectorsgrouped by core copyright industries and by cultural manufacturing industries).36

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!