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Rapture, Revelation, and the End Times - Conscious Evolution TV

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obin-bobin Social <strong>and</strong> Political Messages 183rapture has put abortion clinics out of business—all unbornbabies have been taken from <strong>the</strong>ir mo<strong>the</strong>rs’ wombs. She imaginesthat abortion workers—her sister is one—are disappointedat <strong>the</strong>ir loss of business <strong>and</strong> compares abortion to “owning agas station <strong>and</strong> nobody needing gas or oil or tires anymore.”In this passage, <strong>the</strong> authors intend to portray people whowork in abortion clinics as cynical, even evil people who aremotivated by money. Anti-abortion politics run as a <strong>the</strong>methrough all <strong>the</strong> books. Abortion, which is portrayed by feministsas an issue of women’s control over <strong>the</strong>ir own bodies, isportrayed in <strong>the</strong> Left Behind series as <strong>the</strong> evil choice of selfish<strong>and</strong> deluded women. But <strong>the</strong> even more subtle message of <strong>the</strong>passage is that Hattie is ridiculous. Throughout <strong>the</strong>ir conversation,Rayford thinks “he had never found Hattie guilty of brilliance,”that “he shouldn’t waste his energy arguing withsomeone who clearly didn’t have a clue,” <strong>and</strong> that “irony waslost on her.” He subtly mocks her through his responses to herassertions about abortion clinics <strong>and</strong> <strong>the</strong>ir employees until itseems that this is an entirely different Hattie from <strong>the</strong> one whohad been so provocative for Rayford at <strong>the</strong> beginning of <strong>the</strong>novel. 12 Why does Rayford make fun of Hattie? Is he trying topunish her for being so attractive to him even while she is evil?This portrayal of Hattie Durham as a bad woman is as disparagingas <strong>the</strong> portrayal of homosexual characters in <strong>the</strong> series.Characters like Verna in Tribulation Force <strong>and</strong> Nicolae <strong>and</strong> GuyBlod in The Indwelling point out what false or bad sexualitylooks like. The authors contrast homosexuality with images ofreal masculinity <strong>and</strong> femininity in characters like Buck <strong>and</strong>Chloe. When Verna tries to usurp Buck’s power, we learn thatshe is actually a lesbian. She mimics masculine power, butbecause it does not “rightfully” belong to her, <strong>the</strong> story mocksher <strong>and</strong> puts her in her place. Guy Blod, <strong>the</strong> man Carpathia hascommissioned to make a sculpture, is similarly ridiculous in hiseffeminate mannerisms. Like Verna, he is mocked, <strong>and</strong> <strong>the</strong>books make it clear that Guy is not a “real” man.Because fiction both reflects <strong>the</strong> worldviews of <strong>the</strong> culturefrom which it comes <strong>and</strong> influences that culture, we might arguerobin-bobin

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