Women writing in contemporary France

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Individual author bibliography 229 ———Reading for Change: Interactions between Text and Identity in Contemporary French Women’s Writing (Baroche, Cixous, Constant) (Bern: Peter Lang, 2001). Tixier, Jean-Max, ‘Des Liaisons dangereuses à L’Hiver de beauté de Christiane Baroche’, L’Ecole des Lettres II, 83(5) (1991–2), 18–22. Worton, Michael, ‘Le chant de la sirène: les romans de Christiane Baroche’, Sud, 105 (1993), 73–85. ———‘The author, the reader, and the text’, in Jill Forbes and Michael Kelly (eds), French Cultural Studies: An Introduction (Oxford: Oxford University Press, 1995), pp. 191–212. Farida Belghoul WORKS Georgette! (Paris: Bernard Barrault, 1986). SELECTED SECONDARY CRITICISM Bacholle, Michele, ‘Pushing the limits of autobiography: schizophrenia in the works of Farida Belghoul, Agota Kristof and Milcho Manchevski’, RLA: Romance Languages Annual, 10(1) (1998), 5–11. ———Un passé contraignant: double bind et transculturation (Amsterdam and Atlanta GA: Rodopi, 2000). Delvaux, Martine, ‘L’ironie du sort: le Tiers Espace de la littérature beure’, French Review, 68(4) (1995), 681–93. Durmelat, Sylvie, ‘L’apprentissage de l’écriture dans Georgette!’, in Michel Laronde (ed.), L’Ecriture décentrée: la langue de l’autre dans le roman contemporain (Paris: L’Harmattan, 1996), pp. 33–54. Hargreaves, Alec G., ‘Sexualité et ethnicité dans le roman beur’, Revue Celfan/Celfan Review, 7(1–2) (1987–88), 18–20. ———‘Resistance and identity in beur narratives’, Modern Fiction Studies, 35 (1989), 87–102. ———‘Language and identity in beur culture’, French Cultural Studies, 1 (1990), 47–58. ———‘History, gender and ethnicity in writing by women authors of Maghrebian origin in France’, L’Esprit Créateur, 33(2) (1993), 23–34. Holmes, Diana, French Women’s Writing 1848–1994 (London: Athlone, 1996). Mainil, Jean, ‘Le Baiser de la femme speakerine: télévision et romans beurs’, Sites, 1(1) (1997), 125–40. Preckshot, Judith, ‘“L’éducation obligatoire” et les voix minoritaires dans les écrits francophones’, French Review, 74(4) (2001), 660–72. Rosello, Mireille, ‘Georgette! de Farida Belghoul: télévision et départenance’, L’Esprit Créateur, 33(2) (1993), 35–46. Ryan, Angie, ‘The construction of the female subject: Belghoul and Colette’, in Diana Knight and Judith Still (eds) Women and Representation (Nottingham: WIF Publications, 1995), 92–105.
230 Individual author bibliography Talahite, Anissa, ‘Constructing spaces of transition: “beur” women writers and questions of representation’, in Jane Freedman and Carrie Tarr (eds) Women, Immigration and Identities in France (Oxford and New York: Berg, 2000), pp. 103–19. Woodhull, Winifred, ‘Ethnicity on the French frontier’, in Gisela Brinker-Gabler and Sidonie Smith (eds) Writing New Identities: Gender, Nation and Immigration in Contemporary Europe (Minneapolis: University of Minnesota Press, 1997), pp. 31–61. Sophie Calle WORKS Suite vénitienne (Paris: l’Etoile, 1983). L’Hôtel (Paris: l’Etoile, 1984). Des histoires vraies (Arles: Actes Sud, 1994). L’Erouv de Jérusalem (Arles: Actes Sud, 1996). Doubles-jeux (Paris: Actes Sud, 1998), 7 vols, Book 1: De l’obéissance (incl. Le Régime chromatique and Des journées entières sous le signe du B, du C, du W). Book 2: Le Rituel d’anniversaire. Book 3: Les Panoplies (incl. La Garde-robe and Le Strip-tease). Book 4: A suivre (incl. Préambule, Suite vénitienne, and La Filature). Book 5: L’Hôtel. Book 6: Le Carnet d’adresses. Book 7: Gotham handbook: New York, mode d’emploi. Souvenirs de Berlin-Est (Arles: Actes Sud, 1999). Disparitions (Arles: Actes Sud, 2000). Fantômes (Arles: Actes Sud, 2000). Les Dormeurs, 2 vols (Arles: Actes Sud, 2000). ENGLISH TRANSLATIONS Double Game (Doubles-jeux) (London: Violette, 1999). The Detachment/Die Entfernung (translations of Souvenirs de Berlin-Est) (G+B Arts International, Arndt & Partner Gallery, no date or place of publication given). INTERVIEWS Leith, William, ‘A quick Calle’, Observer Life Magazine (17 January 1999), pp. 17–20. SELECTED SECONDARY CRITICISM Baudrillard, Jean, ‘Please follow me’, in Sophie Calle, Suite vénitienne (Paris: l’Etoile, 1983), pp. 83–93. Bois, Yves-Alain, ‘Character study’, Artforum (April 2000), 126–31. Chadwick, Whitney, ‘Three artists/three women: Orlan, Annette Messager and Sophie Calle’, Sites, 4(1) (2000), 111–17. Gratton, Johnnie, ‘Degrees of irony in Sophie Calle’s Des histoires vraies’, in Alex Hughes and Andrea Noble (eds), Phototextualities (Albuquerque: University of New Mexico Press, 2002). Grundberg, Andy, ‘Photography’s dark side: the work of Sophie Calle’, in Crisis of the Real (New York: Aperture, 1999), pp. 250–3.
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WOMEN’S WRITING IN CONTEMPORARY F
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Copyright © Manchester University
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vi Contents 10 Saying the unsayable
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viii Contributors SHIRLEY JORDAN is
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ACKNOWLEDGEMENTS We would like to t
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2 Introduction introduce to English
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4 Introduction became more and more
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6 Introduction French ‘difference
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8 Introduction essential issues to
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10 Introduction Indeed, much contem
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12 Introduction phototextual projec
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14 Introduction about the body or e
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16 Introduction European Union) has
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18 Introduction Béatrice de Jurque
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20 Introduction and the group, the
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22 Introduction Feminist Perspectiv
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24 Introduction Barthes, Image, Mus
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26 Introduction 33 This is a wider
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1 VICTORIA BEST Louise L. Lambrichs
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Lambrichs: trauma, dream and narrat
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Memory and identity in Redonnet’s
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3 KATHRYN ROBSON The female vampire
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Chawaf ’s melancholic autofiction
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4 GILL RYE Lost and found: mother-d
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Mother-daughter relations in Consta
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5 ELIZABETH FALLAIZE Puzzling out t
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Sibylle Lacan’s Un père 79 for o
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Sibylle Lacan’s Un père 81 attac
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Sibylle Lacan’s Un père 83 Howev
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Sibylle Lacan’s Un père 85 fathe
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Sibylle Lacan’s Un père 87 other
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Sibylle Lacan’s Un père 89 propr
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II Writing the dynamics of identity
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94 Writing the dynamics of identity
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100 Writing the dynamics of identit
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7 SARAH ALYN STACEY ‘On ne s’en
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8 GILL RYE Textual mirrors and unce
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9 SIOBHAN MCILVANNEY The articulati
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10 SHIRLEY JORDAN Saying the unsaya
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III Transgressions and transformati
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158 Transgressions and transformati
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Page 193 and 194: 13 MARGARET-ANNE HUTTON ‘Il n’y
Page 233 and 234: GILL RYE AND MICHAEL WORTON Conclus
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Page 237 and 238: INDIVIDUAL AUTHOR BIBLIOGRAPHY Chri
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Page 261 and 262: GENERAL BIBLIOGRAPHY Abraham, Nicol
Page 263 and 264: 252 General bibliography Cottenet-H
Page 265 and 266: 254 General bibliography Irigaray,
Page 267 and 268: 256 General bibliography Roudinesco
Page 269 and 270: INDEX Literary works can be found u
Page 271 and 272: 260 Index fiction(s) (cont.) detect
Page 273: 262 Index Sebbar, Leïla (cont.) Pa
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