Individual author bibliography 247 Les Yeux de ma mère (play), <strong>France</strong>-Culture, 1994; (Copenhagen/Gotenburg: Kaleidoscope Corona, 2000). ‘Lettre à un groupe d’étudiants en français de l’université de Swarthmore (PA, USA) au sujet de la nouvelle “Le bal”’ (12 December 1995). * La Jeune Fille au balcon (Paris: Seuil, 1996; repr<strong>in</strong>ted 1998). Le Baiser (Paris: Hachette, 1997; repr<strong>in</strong>ted 1999). J’étais enfant en Algérie: ju<strong>in</strong> 1962 (Paris: Sorbier, 1997). Une enfance algérienne (collection of previously unpublished texts edited by Sebbar), <strong>in</strong>clud<strong>in</strong>g Sebbar’s ‘On tue les <strong>in</strong>stituteurs’ (Paris: Gallimard, 1997; Folio 1999), pp. 189–98. * ‘Les femmes: le monde’, contribution to debate, Europe, 821 (1997), 58–60. Val-Nord: fragments de banlieue, stories by Leïla Sebbar, photographs by Gilles Larvor (Paris: Syros, 1998). ‘La Se<strong>in</strong>e était rouge’, Le Maghreb Littéraire, 2(3)(1998), 95–8. ‘Père et fils’, ‘Mère et fils’, <strong>in</strong> 2000 ans d’Algérie (Paris: Séguier, 1998), pp. 159–62. Soldats (Paris: Seuil, 1999). ‘La jeune fille aux Pataugas’ (1999). * La Se<strong>in</strong>e était rouge (Paris: Thierry Magnier, 1999). ‘Les mères du peuple de mon père dans la langue de ma mère’, <strong>in</strong>clud<strong>in</strong>g English translation by Dawn M. Cornelio, Sites, 3(2) (1999), 389–96. ‘Papier d’orange’, <strong>in</strong> Ecriva<strong>in</strong>s/Sans-Papiers (Paris: Bérénice-MRAP, 2000), pp. 201–4. ‘Le pe<strong>in</strong>tre et son modèle’, La Revue des Deux Mondes (December 2000), pp. 59–63. ‘De l’autre côté de la mer, c’est lo<strong>in</strong>’, Revue de Femmes en Méditerranée, 1–2 (March 2000), 102–5. Une enfance outre-mer, ed. Leïla Sebbar, <strong>in</strong>clud<strong>in</strong>g Sebbar’s ‘Les jeunes filles de la colonie’ (Paris: Le Seuil, Po<strong>in</strong>t Virgule, 2001), pp. 185–97. ENGLISH TRANSLATIONS Sherazade, Miss<strong>in</strong>g: Aged 17, Dark Curly Hair, Green Eyes (Shérazade, 17 ans, brune, frisée, les yeux verts), trans. Dorothy Blair (London: Quartet Books, 1991; repr<strong>in</strong>ted 1999). My Mother’s Eyes (Les Yeux de ma mère), trans. Stephen J. Vogel, <strong>in</strong> Françoise Kourilsky (ed.), Playwrights of Exile, An International Anthology (New York: Ubu Repertory Theater Publications, 1997), pp. 222–61. Silence on the Shores (Le Silence des rives), trans. and <strong>in</strong>trod. Mildred Mortimer, (L<strong>in</strong>coln and London: University of Nebraska Press, 2000). Algerian Childhood (Une enfance algérienne), trans. Marjolijn de Jager (Sa<strong>in</strong>t Paul, M<strong>in</strong>nesota: Rum<strong>in</strong>ator Books, 2001).
248 Individual author bibliography INTERVIEWS Notre Librairie, 111 (1992), pp. 55–7, with Tahar Bekri. Pourquoi, 272 (March 1992), with Jean Eymery. Cahiers d’Etudes Maghréb<strong>in</strong>es, 8 (1995), 239–44, with Barbara Arnhold. Nouvelle Donne, 13 (April 1997), 4–7, with Evelyne Bellanfat. SELECTED SECONDARY CRITICISM Abu-Haidar, Farida, ‘The female persona <strong>in</strong> Algerian fiction’, <strong>in</strong> Laïla Ibnlfassi and Nicki Hitchcott (eds), African Francophone Writ<strong>in</strong>g: A Critical Introduction (Oxford and Wash<strong>in</strong>gton: Berg, 1996), pp. 69–87. Achour, Christiane, ‘Leïla Sebbar: l’île, espace d’exclusion ou de croisement?’, <strong>in</strong> Christiane Achour (ed.), Diwan d’<strong>in</strong>quiétude et d’espoir. La littérature fém<strong>in</strong><strong>in</strong>e algérienne de langue française: anthologie critique (Algiers: ENAG, 1991), pp. 174–97. Brahimi, Denise, ‘Shérazade d’après “Shérazade, 17 ans, brune, frisée, les yeux verts” de Leïla Sebbar’, <strong>in</strong> Denise Brahimi, Maghréb<strong>in</strong>es: portraits litteraires (Paris: L’Harmattan-Awal, 1995), pp. 165–74. Chaulet-Achour, Christiane, ‘Des livres, des femmes, l’Algérie’, Bullet<strong>in</strong> of Francophone Africa, 5 (spr<strong>in</strong>g 1994), 73–81. Chikhi, Beïda, ‘Shérazade de Leïla Sebbar’, <strong>in</strong> Henri Mitterand (ed.), Dictionnaire des œuvres du XXe siècle: littératures française et francophone (Paris: Dictionnaires Le Robert, 1995), p. 448. Dejeux, Jean, ‘Leïla Sebbar, “La négresse à l’enfant: recueil de nouvelles”’, Hommes et Migrations, 1134 (July 1990), 70–1. ———‘Leïla Sebbar, Le Fou de Shérazade’, Hommes et Migrations, 1140, (February 1991), 60. Djaout, Tahar, ‘Une écriture au “beur” noir’, It<strong>in</strong>éraires et Contacts de Cultures, 14 (1991), 156–8. Dou<strong>in</strong>, Jean-Luc, ‘Au pays de la peur’, Le Monde des Livres (16 April 1999), p. I. Hargreaves, Alec G., ‘Writers of Maghrebian immigrant orig<strong>in</strong> <strong>in</strong> <strong>France</strong>: French, Francophone, Maghrebian or Beur?’, <strong>in</strong> Laïla Ibnlfassi and Nicki Hitchcott (eds), African Francophone Writ<strong>in</strong>g: A Critical Introduction (Oxford and Wash<strong>in</strong>gton: Berg, 1996). Hugon, Monique, ‘Leïla Sebbar ou l’exil productif ’, Notre Librairie, 84 (1986), 32–7. Laronde, Michel, ‘Leïla Sebbar et le roman “croisé”: histoire, mémoire, identité’, CELFAN Review, 7(1–2) (1988), 6–12. ———‘Métissage du texte beur’, Plurial, 4 (1993), 101. ——— (ed.) Autour de Leïla Sebbar (Toronto: La Source, 2002), forthcom<strong>in</strong>g. Majumdar, Margaret A., ‘A travers le miroir: le regard de l’Autre sur l’Autre’, Bullet<strong>in</strong> of Francophone Africa, 5 (spr<strong>in</strong>g 1994), 12–27. Mer<strong>in</strong>i, Rafika, Two Major Francophone <strong>Women</strong> Writers: Assia Djebar and Leïla
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WOMEN’S WRITING IN CONTEMPORARY F
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Copyright © Manchester University
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vi Contents 10 Saying the unsayable
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viii Contributors SHIRLEY JORDAN is
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ACKNOWLEDGEMENTS We would like to t
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2 Introduction introduce to English
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4 Introduction became more and more
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6 Introduction French ‘difference
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8 Introduction essential issues to
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10 Introduction Indeed, much contem
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16 Introduction European Union) has
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18 Introduction Béatrice de Jurque
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22 Introduction Feminist Perspectiv
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24 Introduction Barthes, Image, Mus
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26 Introduction 33 This is a wider
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1 VICTORIA BEST Louise L. Lambrichs
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Lambrichs: trauma, dream and narrat
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Memory and identity in Redonnet’s
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3 KATHRYN ROBSON The female vampire
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4 GILL RYE Lost and found: mother-d
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Mother-daughter relations in Consta
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5 ELIZABETH FALLAIZE Puzzling out t
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Sibylle Lacan’s Un père 79 for o
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