Women writing in contemporary France

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Individual author bibliography 235 Vaquin, Agnès, ‘L’enfant aux yeux trop pointus’ (Propriété privée), La Quinzaine Littéraire (1 November 1981), 7. Marie Darrieussecq WORKS ‘La notion de leurre chez Hervé Guibert: décryptage d’un roman-leurre, L’Incognito’, Nottingham French Studies, 34(1) (spring 1995), 82–8. ‘L’autofiction, un genre pas sérieux’, Poétique, 107 (September 1996), 369–80. Truismes (Paris: POL, 1996). ‘Quand je me sens très fatiguée le soir’, L’Infini, 58 (Summer 1997), 26–8. Naissance des fantômes (Paris: POL, 1998). ‘Marie Redonnet et l’écriture de la mémoire’, in Dominique Viart (ed.) Ecritures contemporaines 1: mémoires du récit (Paris and Caen: Lettres Modernes Minard, 1998), pp. 177–94. ‘Isabel’, L’Infini, 62 (summer 1998), 16–19. Le Mal de mer (Paris: POL, 1999). Précisions sur les vagues (Paris: POL, 1999). Claire dans la forêt, previously unpublished short story sold with Elle, 2848 (31 July 2000). ‘Lamarche-Vadel immanquablement’, L’Infini, 70 (summer 2000), 57–64. Bref séjour chez les vivants (Paris: POL, 2001). Le Bébe (Paris: POL, 2002). ENGLISH TRANSLATIONS Pig Tales (Truismes), trans. Linda Coverdale (London: Faber & Faber, 1997). My Phantom Husband (Naissance des fantômes), trans. Helen Stevenson (London: Faber & Faber, 1999). Breathing Underwater (Le Mal de mer), trans. Linda Coverdale (London: Faber & Faber, 2001). Undercurrents: A Novel (Le Mal de mer), trans. Linda Coverdale (New York: The New Press, 2001). INTERVIEWS Baudet, M., ‘Marie Darrieussecq, auteur à haute résolution’, Libre Culture (19 May 1999), p. 21. Bourcier, Jean-Pierre, ‘Marie Darrieussecq: “européenne, féministe et athée”’, La Tribune (13 November 1996), p. 20. Garcin, Jérôme, ‘Marie Darrieussecq: l’après-Truismes’, Le Nouvel Observateur, 1684 (19–25 February 1998), pp. 88–90.
236 Individual author bibliography Gaudemar, Antoine de, ‘Darrieussecq, du cochon au volatil’, Libération (Livres) (26 February 1998), pp. I–III. Henley, J., ‘Parables of Panic’, Guardian (G2) (16 June 1999), p. 16. Le Fol, Sébastien, ‘Marie Darrieussecq: “Je veux changer la langue!”’, Le Figaro (11 March 1999), p. 79. Vantroys, Carole and Catherine Argand, ‘Ils publient leur premier roman’, Lire (September 1996), pp. 34–5. Weitzmann, M., ‘Sup normal’, Les Inrockuptibles (18 February 1998), pp. 16–18. Wrobel, Catherine, ‘Cochonne rose et humour noir’, France Soir (4 September 1996), p. 11. SELECTED SECONDARY CRITICISM Baron, Anne-Marie, ‘Truismes de Marie Darrieussecq: une expérience pédagogique en classe de seconde’, L’École des Lettres II, 8 (1997–8), 3–9. Favre, Isabelle, ‘Marie Darrieussecq ou lard de la calorie vide’, Women in French Studies, 8 (2000), 164–76. McAllister, N., ‘Woolf at the shore’, Observer Review (13 May 2001), p. 15. Michel, Christian, ‘“Le réel dort aussi”: un panorama du jeune roman français’, Esprit, 225 (October 1996), 43–67. Nettelbeck, Colin W., ‘Novelists and their engagement with history: some contemporary French cases’, Australian Journal of French Studies, 35(2) (May–August 1998), 243–57. Phillips, John, ‘Truismes by Marie Darrieussecq’, in John Phillips, Forbidden Fictions, Pornography and Censorship in Twentieth Century French Literature (London: Pluto Press, 1999), pp. 182–92. Rodgers, Catherine, ‘Aucune évidence: les truismes de Marie Darrieussecq’, Romance Studies, 18(1) (June 2000), 69–81. Rye, Gill, ‘Women’s writing’, in Abigail Gregory and Ursula Tidd (eds), Women in Contemporary France (Oxford and New York: Berg, 2000), pp. 133–51. Sadoux, Marion, ‘Le corps au fantastique: métamorphoses de Marie Darrieussecq’, La Chouette, 29 (1998), 15–25. ———‘Marie Darrieussecq’s Truismes: hesitating between fantasy and truth’, Journal of the Institute of Romance Studies, 7 (1999), 197–203. Samoyault, Tiphaine, ‘Mer cannibale’, Les Inrockuptibles (17 March 1999), pp. 58–9. Agnès Desarthe Not included here are Desarthe’s numerous children’s books and her translations (notably of the works by the American writer Alice Thomas Ellis). WORKS Quelques minutes de bonheur absolu (Paris: Seuil, 1993). Un secret sans importance (Paris: Olivier/Seuil, 1996).
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WOMEN’S WRITING IN CONTEMPORARY F
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Copyright © Manchester University
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vi Contents 10 Saying the unsayable
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viii Contributors SHIRLEY JORDAN is
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ACKNOWLEDGEMENTS We would like to t
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2 Introduction introduce to English
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4 Introduction became more and more
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6 Introduction French ‘difference
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8 Introduction essential issues to
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10 Introduction Indeed, much contem
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12 Introduction phototextual projec
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14 Introduction about the body or e
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16 Introduction European Union) has
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18 Introduction Béatrice de Jurque
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20 Introduction and the group, the
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22 Introduction Feminist Perspectiv
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24 Introduction Barthes, Image, Mus
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26 Introduction 33 This is a wider
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1 VICTORIA BEST Louise L. Lambrichs
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Lambrichs: trauma, dream and narrat
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Memory and identity in Redonnet’s
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3 KATHRYN ROBSON The female vampire
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Chawaf ’s melancholic autofiction
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4 GILL RYE Lost and found: mother-d
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Mother-daughter relations in Consta
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5 ELIZABETH FALLAIZE Puzzling out t
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Sibylle Lacan’s Un père 79 for o
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Sibylle Lacan’s Un père 81 attac
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Sibylle Lacan’s Un père 83 Howev
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Sibylle Lacan’s Un père 85 fathe
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Sibylle Lacan’s Un père 87 other
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Sibylle Lacan’s Un père 89 propr
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II Writing the dynamics of identity
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94 Writing the dynamics of identity
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100 Writing the dynamics of identit
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7 SARAH ALYN STACEY ‘On ne s’en
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8 GILL RYE Textual mirrors and unce
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9 SIOBHAN MCILVANNEY The articulati
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10 SHIRLEY JORDAN Saying the unsaya
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III Transgressions and transformati
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158 Transgressions and transformati
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13 MARGARET-ANNE HUTTON ‘Il n’y
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Page 237 and 238: INDIVIDUAL AUTHOR BIBLIOGRAPHY Chri
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Page 261 and 262: GENERAL BIBLIOGRAPHY Abraham, Nicol
Page 263 and 264: 252 General bibliography Cottenet-H
Page 265 and 266: 254 General bibliography Irigaray,
Page 267 and 268: 256 General bibliography Roudinesco
Page 269 and 270: INDEX Literary works can be found u
Page 271 and 272: 260 Index fiction(s) (cont.) detect
Page 273: 262 Index Sebbar, Leïla (cont.) Pa
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