Women writing in contemporary France

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Individual author bibliography 237 Cinq photos de ma femme (Paris: Olivier/Seuil, 1998). Les Bonnes Intentions (Paris: Olivier/Seuil, 2000). Preface to Paris Romance (Paris: Parigramme, 2000) (a collection of photos). ENGLISH TRANSLATIONS ‘Transient Bliss’ (excerpt from Quelques minutes de bonheur absolu (pp. 71–83)), trans. Ros Schwartz, in Georgia de Chamberet (ed.), Xcités: the Flamingo Book of New French Writing (London: Flamingo, 1999 (1st edn); 2000 (2nd edn)), pp. 69–82. Five Photos of my Wife (Cinq photos de ma femme), trans. Adriana Hunter (London: Flamingo, 2001). Régine Detambel WORKS L’Amputation (Paris: Julliard, 1990). L’Orchestre et la semeuse (Paris: Julliard, 1990). La Modéliste (Paris: Julliard, 1990). Le Long Séjour (Paris: Julliard, 1991). La Quatrième Orange (Paris: Julliard, 1992). Les Ecarts majeurs (Paris: Julliard, 1993). Le Vélin (Paris: Julliard, 1993). Graveurs d’enfance (Paris: Christian Bourgois, 1993). La Lune dans le rectangle du patio (Paris: Gallimard, 1994). Le Jardin clos (Paris: Gallimard, 1994). Le Ventilateur (Paris: Gallimard, 1995). Album (Paris: Calmann-Lévy, 1995). Blasons d’un corps masculin (Montpellier: Via Voltaire, 1996). La Verrière (Paris: Gallimard, 1996). Colette. Comme une flore, comme un zoo. Un répertoire des images du corps (Paris: Stock, 1997). Solos (Paris: Gallimard Jeunesse, 1997). La Comédie des mots (Paris: Gallimard Jeunesse, 1997). Les Massachusetts prennent la plume (Paris: Gallimard, Folio Junior, 1997). L’Arbre à palabres (Paris: Flammarion, Castor poche, 1997). L’Avarice (Paris: Centre Pompidou, 1998). Le Prince aux pinces d’or (Paris: Flammarion, Faim de loup, 1998). Ernest Poustoufle danse la javanaise (Paris: Flammarion, Castor poche, 1998). Ernest Poustoufle cavale après M. Cruciphore (Paris: Flammarion, Castor poche, 1998).
238 Individual author bibliography Le Poème indigo (Paris: Gallimard Jeunesse, 1998). Le Valet de carreau (Paris: Gallimard Jeunesse, 1998). Le Mystère de la dame de fer (Paris: Gallimard Jeunesse, 1998). Elle ferait battre les montagnes (Paris: Gallimard, 1998). L’Ecrivaillon ou l’enfance de l’écriture (Paris: Gallimard, 1998). Les Contes d’apothicaire (Paris: Gallimard, 1998). Le Rêve de Tanger (Paris: Thierry Magnier, 1998). La Ligne âpre (Paris: Julliard, 1998). La Nouvelle comédie des mots (Paris: Gallimard Jeunesse, 1999). La Patience sauvage (Paris: Gallimard, 1999). Icônes (Seyssel: Champ Vallon, 1999). Premier Galop (Paris: Gallimard Jeunesse, 1999). Ernest Poustoufle fait son numéro (Paris: Flammarion, Castor poche, 1999). Le Mémo des gens merveilleux (Paris: Hachette Jeunesse, 1999). La Fille mosaïque (Paris: Gallimard Jeunesse, 1999). Blasons d’un corps enfantin (Montpellier: Fata Morgana, 2000). La Chambre d’écho (Paris: Gallimard, 2001). SELECTED SECONDARY CRITICISM ‘Régine Detambel’ (author feature), Le Matricule des Anges, 17 (September–October 1996), see www.lmda.net. Allera, Emilie and Elisabeth Beaumont, Gammes en mots majeurs: autour de Régine Detambel (Montpellier: SUFCO Université Paul Valéry, D.U. Réalisations audiovisuelles). Houppermans, Sjef, ‘Le jardin clos de Régine Detambel’, in Michael Bishop (ed.), Thirty Voices in the Feminine (Amsterdam and Atlanta, GA: Rodopi, 1996), pp. 151–65. Lebrun, Jean-Claude, ‘Régine Detambel ne nous épargne rien: le tranchant d’une prose’, Cultures, L’Humanité (22 November 1996), www.humanite.presse.fr /journal/1996. ———‘Régine Detambel: “Meurs et deviens”’, Cultures, L’Humanité (9 September 1999), www.humanite.presse.fr/journal/1999. Naudin, Marie, ‘Review of La Patience sauvage’, The French Review, 74(3) (February 2001), 597–9. Clotilde Escalle WORKS Un long baiser (Paris: Manya, 1993). Pulsion (Paris: Zulma, 1996).
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WOMEN’S WRITING IN CONTEMPORARY F
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Copyright © Manchester University
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vi Contents 10 Saying the unsayable
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viii Contributors SHIRLEY JORDAN is
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ACKNOWLEDGEMENTS We would like to t
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2 Introduction introduce to English
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4 Introduction became more and more
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6 Introduction French ‘difference
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8 Introduction essential issues to
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10 Introduction Indeed, much contem
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12 Introduction phototextual projec
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14 Introduction about the body or e
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16 Introduction European Union) has
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18 Introduction Béatrice de Jurque
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20 Introduction and the group, the
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22 Introduction Feminist Perspectiv
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24 Introduction Barthes, Image, Mus
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26 Introduction 33 This is a wider
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1 VICTORIA BEST Louise L. Lambrichs
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Lambrichs: trauma, dream and narrat
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Memory and identity in Redonnet’s
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3 KATHRYN ROBSON The female vampire
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Chawaf ’s melancholic autofiction
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4 GILL RYE Lost and found: mother-d
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Mother-daughter relations in Consta
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5 ELIZABETH FALLAIZE Puzzling out t
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Sibylle Lacan’s Un père 79 for o
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Sibylle Lacan’s Un père 81 attac
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Sibylle Lacan’s Un père 83 Howev
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Sibylle Lacan’s Un père 85 fathe
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Sibylle Lacan’s Un père 87 other
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Sibylle Lacan’s Un père 89 propr
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II Writing the dynamics of identity
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94 Writing the dynamics of identity
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100 Writing the dynamics of identit
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7 SARAH ALYN STACEY ‘On ne s’en
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8 GILL RYE Textual mirrors and unce
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9 SIOBHAN MCILVANNEY The articulati
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10 SHIRLEY JORDAN Saying the unsaya
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III Transgressions and transformati
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158 Transgressions and transformati
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13 MARGARET-ANNE HUTTON ‘Il n’y
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Page 233 and 234: GILL RYE AND MICHAEL WORTON Conclus
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Page 237 and 238: INDIVIDUAL AUTHOR BIBLIOGRAPHY Chri
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Page 261 and 262: GENERAL BIBLIOGRAPHY Abraham, Nicol
Page 263 and 264: 252 General bibliography Cottenet-H
Page 265 and 266: 254 General bibliography Irigaray,
Page 267 and 268: 256 General bibliography Roudinesco
Page 269 and 270: INDEX Literary works can be found u
Page 271 and 272: 260 Index fiction(s) (cont.) detect
Page 273: 262 Index Sebbar, Leïla (cont.) Pa
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