Women writing in contemporary France
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234 Individual author bibliography<br />
Baroche, Christiane, ‘Un monde à l’usage des demoiselles’, Roman, 19 (June 1987),<br />
185–9.<br />
Cappelletti, Mireille Revol, ‘White Spirit ou les arcanes de la sublimation’, <strong>in</strong> Monique<br />
Streiff-Moretti, Mireille Revol Cappelletti and Odile Mart<strong>in</strong>ez (eds), Il senso del<br />
nonsenso: scritti <strong>in</strong> memoria di Lynn Salk<strong>in</strong> Sbiroli (Naples: Edizioni Scientifiche<br />
Italiane, 1994), pp. 677–710.<br />
Chandernagar, Françoise, ‘Femmes entre elles’ (Confidence pour confidence), Revue des<br />
Deux Mondes (July–August 1998), 152–6.<br />
Duffy, Patricia, ‘Of White Spirit and other clean<strong>in</strong>g substances’, New Zealand Journal<br />
of French Studies, 14(2) (1993), 38–54.<br />
———‘Laye versus Constant: a child’s perspective of Africa, Journal of the Australasian<br />
Universities Modern Language Association (AUMLA), 81 (May 1994),<br />
65–79.<br />
Fisher, Claud<strong>in</strong>e, ‘Topographie de la maison dans Propriété privée de Paule Constant’,<br />
<strong>in</strong> G<strong>in</strong>ette Adamson and Eunice Myers (eds), Cont<strong>in</strong>ental, Lat<strong>in</strong>-American and<br />
Francophone <strong>Women</strong> Writers, III (Lanham and New York: University Press of<br />
America, 1997), pp. 163–9.<br />
Mart<strong>in</strong>oir, Franc<strong>in</strong>e de, ‘Propriété privée’, La Nouvelle Revue Française, 347 (1<br />
December 1981), 117–20.<br />
Miller, Margaret Porter, ‘In search of shelter: a psychological read<strong>in</strong>g of Paule<br />
Constant’s fiction’ (unpublished PhD thesis, University of Maryland, 2001).<br />
Miller, Margot, ‘Introduction’, <strong>in</strong> Paule Constant, Trad<strong>in</strong>g Secrets, trans. Betsy W<strong>in</strong>g<br />
(L<strong>in</strong>coln: University of Nebraska Press, 2001), pp. v–xii.<br />
Rye, Gill, ‘Weav<strong>in</strong>g the reader <strong>in</strong>to the text: the authority and generosity of modern<br />
women writers’, <strong>Women</strong> <strong>in</strong> French Studies, 5 (1997), 161–72.<br />
———‘Time for change: re(con)figur<strong>in</strong>g maternity <strong>in</strong> <strong>contemporary</strong> French literature<br />
(Baroche, Cixous, Constant, Redonnet)’, Paragraph, 21 (November 1998),<br />
354–75.<br />
———‘Re(dis)cover<strong>in</strong>g one/self: Julia Kristeva’s expérience littéraire and Paule<br />
Constant’s little girls’, Journal of the Institute of Romance Studies, 7 (1999),<br />
303–12.<br />
———‘The (im)possible ethics of read<strong>in</strong>g: identity, difference, violence and responsibility<br />
(Paule Constant’s White spirit)’, French Studies, 54 (July 2000), 327–37.<br />
———‘<strong>Women</strong>’s <strong>writ<strong>in</strong>g</strong>’, <strong>in</strong> Abigail Gregory and Ursula Tidd (eds), <strong>Women</strong> <strong>in</strong><br />
Contemporary <strong>France</strong> (Oxford and New York: Berg, 2000), pp. 133–51.<br />
———Read<strong>in</strong>g for Change: Interactions between Text and Identity <strong>in</strong> Contemporary<br />
<strong>Women</strong>’s Writ<strong>in</strong>g (Baroche, Cixous, Constant) (Bern: Peter Lang, 2001).<br />
———‘The name’s the th<strong>in</strong>g: Paule Constant’s comédie huma<strong>in</strong>e’, Nott<strong>in</strong>gham French<br />
Studies, 41(1) (spr<strong>in</strong>g 2002), 70–9.<br />
Steadman, Victoria, ‘L’<strong>in</strong>tertextualité dans (la) Propriété privée de Paule Constant’, <strong>in</strong><br />
G<strong>in</strong>ette Adamson and Eunice Myers (eds.), Cont<strong>in</strong>ental, Lat<strong>in</strong>-American and<br />
Francophone <strong>Women</strong> Writers, IV (Lanham and New York: University Presses of<br />
America, 1987), pp. 193–9.