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Women writing in contemporary France

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Index 261<br />

masochism, sadomasochism 16, 93, 207, 210,<br />

214–17<br />

matricide 55, 59, 76n.4<br />

melancholia 18, 26n.38, 53–64<br />

memory 9, 19, 29, 66, 72, 79, 80, 98, 119, 123,<br />

147, 187, 195, 200–1, 225<br />

and dreams 29–30<br />

and identity 42–52<br />

narrative 33–4<br />

traumatic 30, 33–4, 36, 40n.6, 67<br />

Millet, Cather<strong>in</strong>e 6, 15, 23n.9<br />

mother(s) 7, 11, 12, 18, 87, 110, 116n.6, 142, 179,<br />

196, 207–19 passim, 225n.2<br />

dead 53–9 passim, 114, 185, 212<br />

mother<strong>in</strong>g 125–6, 127<br />

separation from the 56, 218<br />

vampiric 53, 56–60<br />

mother–daughter relationship 56, 59, 65–76,<br />

87, 140n.13, 147–52, 201, 207–19 passim,<br />

224–5<br />

mother–son relationship 197, 199<br />

mourn<strong>in</strong>g 18, 26n.38, 29–35 passim, 39, 54–63<br />

passim, 71–6 passim, 222<br />

see also Kle<strong>in</strong>, Melanie<br />

narration 9, 121, 175<br />

narrative(s) 10, 12, 14, 17, 22n.3, 61, 63, 86, 108,<br />

123, 130, 132, 138, 139n.2, 158, 177, 184,<br />

186, 188, 202, 210<br />

artist 157, 158, 169n.1<br />

‘beur’ 130, 132, 138<br />

and dream(s) 29–41<br />

first-person 9, 30, 58, 59–62, 121, 131, 132,<br />

149, 175–6<br />

and gender 118–29<br />

memory 33–4<br />

po<strong>in</strong>t of view 185, 186, 187, 191<br />

third-person 9, 60, 61, 121, 175–6, 191,<br />

210–11<br />

voice(s) 9, 60, 61, 62, 131<br />

NDiaye, Marie 23n.11, 51<br />

N<strong>in</strong>i, Soraya 130–4 passim, 224, 242<br />

Ils disent que je suis une beurette 131–40<br />

passim, 242<br />

Nobécourt, Lorette 1, 93<br />

Nothomb, Amélie 23n.11<br />

nouveau roman 3, 12, 146<br />

orientalism 3, 4<br />

other, the 4, 10–17 passim, 61, 76n.9, 102, 106,<br />

108, 111, 133, 138, 143, 158–69 passim,<br />

195, 196, 198, 202, 208<br />

miss<strong>in</strong>g/absent 143, 147–9<br />

otherness 3, 4, 5, 6, 38, 131<br />

see also self, and other(s); self, as other;<br />

self–other relation(s)<br />

pa<strong>in</strong> 16, 20, 21, 29, 61, 72–3, 74, 88, 99, 100,<br />

101, 178–9, 211, 212<br />

pa<strong>in</strong>t<strong>in</strong>g(s) 4, 43, 46, 113, 116n.8, 116n.9, 192,<br />

197, 203, 204, 206n.13<br />

parent<strong>in</strong>g 125–7<br />

phantasy, phantasies 31–2, 34, 71, 76n.6<br />

Phillips, Anita 16, 25n.29, 217–18<br />

photography 45, 76n.7, 162, 163, 169, 203<br />

pornography, pornographic 15, 197, 200, 202,<br />

208<br />

post-colonial(ism) 9, 10, 131, 138, 178, 220, 224<br />

psychoanalysis, psychoanalytic(al) 6, 16, 19,<br />

24n.20, 25n.30, 31, 38, 54, 59, 60, 61, 116,<br />

174, 210, 218, 219, 220<br />

see also Chodorow, Nancy J.; Freud,<br />

Sigmund; Kle<strong>in</strong>, Melanie; Kristeva, Julia;<br />

Lacan, Jacques<br />

reader(s) 3, 4, 6, 7, 17–18, 60, 63, 102–3, 115,<br />

121, 124, 125, 128, 132, 137, 139n.7, 150,<br />

172–80 passim, 183–4, 185, 186, 190, 207,<br />

208, 219, 224<br />

read<strong>in</strong>g 18, 25n.22, 102, 120, 122, 129n.7, 175,<br />

176, 224<br />

Redonnet, Marie 1, 12, 22n.3, 42–52, 225,<br />

243–5<br />

Candy story 42, 45–6, 48–50, 243<br />

Doublures 42, 43, 44, 243<br />

Fort Gambo 45, 243<br />

L’Accord de paix 47, 51n.2, 243<br />

Le Cirque Pandor 45, 243<br />

Nevermore 42, 44, 47, 243<br />

Rose Mélie Rose 42–52 passim, 243, 244, 245<br />

Seaside 45, 52n.17, 243<br />

Silsie 49–50, 243, 244<br />

Splendid Hôtel 44, 243, 244, 245<br />

Villa Rosa 42–7 passim, 243<br />

representation(s) 13, 19, 21, 31, 34, 40, 82, 94,<br />

113, 114, 119, 122, 125, 136, 140n.11, 169,<br />

189, 201, 202, 208<br />

objects of 8, 223<br />

self-representation 138, 225<br />

self-representational aesthetics 171, 174<br />

Rochefort, Christiane 23n.11<br />

Sade, Donatien Alphonse François, Marquis<br />

de 219, 220<br />

Sallenave, Danièle 23n.11<br />

Sarraute, Nathalie 3, 9, 149, 153n.13<br />

Sartre, Jean-Paul 2, 7, 187–8, 194n.16, 196,<br />

205n.3<br />

Sebbar, Leïla 1, 6, 12, 195–206, 224, 225, 245–9<br />

J.H. cherche âme sœur 197–9, 200, 246<br />

La Se<strong>in</strong>e était rouge 195, 247<br />

Le Ch<strong>in</strong>ois vert d’Afrique 197–205 passim,<br />

245

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