Index 261 masochism, sadomasochism 16, 93, 207, 210, 214–17 matricide 55, 59, 76n.4 melancholia 18, 26n.38, 53–64 memory 9, 19, 29, 66, 72, 79, 80, 98, 119, 123, 147, 187, 195, 200–1, 225 and dreams 29–30 and identity 42–52 narrative 33–4 traumatic 30, 33–4, 36, 40n.6, 67 Millet, Cather<strong>in</strong>e 6, 15, 23n.9 mother(s) 7, 11, 12, 18, 87, 110, 116n.6, 142, 179, 196, 207–19 passim, 225n.2 dead 53–9 passim, 114, 185, 212 mother<strong>in</strong>g 125–6, 127 separation from the 56, 218 vampiric 53, 56–60 mother–daughter relationship 56, 59, 65–76, 87, 140n.13, 147–52, 201, 207–19 passim, 224–5 mother–son relationship 197, 199 mourn<strong>in</strong>g 18, 26n.38, 29–35 passim, 39, 54–63 passim, 71–6 passim, 222 see also Kle<strong>in</strong>, Melanie narration 9, 121, 175 narrative(s) 10, 12, 14, 17, 22n.3, 61, 63, 86, 108, 123, 130, 132, 138, 139n.2, 158, 177, 184, 186, 188, 202, 210 artist 157, 158, 169n.1 ‘beur’ 130, 132, 138 and dream(s) 29–41 first-person 9, 30, 58, 59–62, 121, 131, 132, 149, 175–6 and gender 118–29 memory 33–4 po<strong>in</strong>t of view 185, 186, 187, 191 third-person 9, 60, 61, 121, 175–6, 191, 210–11 voice(s) 9, 60, 61, 62, 131 NDiaye, Marie 23n.11, 51 N<strong>in</strong>i, Soraya 130–4 passim, 224, 242 Ils disent que je suis une beurette 131–40 passim, 242 Nobécourt, Lorette 1, 93 Nothomb, Amélie 23n.11 nouveau roman 3, 12, 146 orientalism 3, 4 other, the 4, 10–17 passim, 61, 76n.9, 102, 106, 108, 111, 133, 138, 143, 158–69 passim, 195, 196, 198, 202, 208 miss<strong>in</strong>g/absent 143, 147–9 otherness 3, 4, 5, 6, 38, 131 see also self, and other(s); self, as other; self–other relation(s) pa<strong>in</strong> 16, 20, 21, 29, 61, 72–3, 74, 88, 99, 100, 101, 178–9, 211, 212 pa<strong>in</strong>t<strong>in</strong>g(s) 4, 43, 46, 113, 116n.8, 116n.9, 192, 197, 203, 204, 206n.13 parent<strong>in</strong>g 125–7 phantasy, phantasies 31–2, 34, 71, 76n.6 Phillips, Anita 16, 25n.29, 217–18 photography 45, 76n.7, 162, 163, 169, 203 pornography, pornographic 15, 197, 200, 202, 208 post-colonial(ism) 9, 10, 131, 138, 178, 220, 224 psychoanalysis, psychoanalytic(al) 6, 16, 19, 24n.20, 25n.30, 31, 38, 54, 59, 60, 61, 116, 174, 210, 218, 219, 220 see also Chodorow, Nancy J.; Freud, Sigmund; Kle<strong>in</strong>, Melanie; Kristeva, Julia; Lacan, Jacques reader(s) 3, 4, 6, 7, 17–18, 60, 63, 102–3, 115, 121, 124, 125, 128, 132, 137, 139n.7, 150, 172–80 passim, 183–4, 185, 186, 190, 207, 208, 219, 224 read<strong>in</strong>g 18, 25n.22, 102, 120, 122, 129n.7, 175, 176, 224 Redonnet, Marie 1, 12, 22n.3, 42–52, 225, 243–5 Candy story 42, 45–6, 48–50, 243 Doublures 42, 43, 44, 243 Fort Gambo 45, 243 L’Accord de paix 47, 51n.2, 243 Le Cirque Pandor 45, 243 Nevermore 42, 44, 47, 243 Rose Mélie Rose 42–52 passim, 243, 244, 245 Seaside 45, 52n.17, 243 Silsie 49–50, 243, 244 Splendid Hôtel 44, 243, 244, 245 Villa Rosa 42–7 passim, 243 representation(s) 13, 19, 21, 31, 34, 40, 82, 94, 113, 114, 119, 122, 125, 136, 140n.11, 169, 189, 201, 202, 208 objects of 8, 223 self-representation 138, 225 self-representational aesthetics 171, 174 Rochefort, Christiane 23n.11 Sade, Donatien Alphonse François, Marquis de 219, 220 Sallenave, Danièle 23n.11 Sarraute, Nathalie 3, 9, 149, 153n.13 Sartre, Jean-Paul 2, 7, 187–8, 194n.16, 196, 205n.3 Sebbar, Leïla 1, 6, 12, 195–206, 224, 225, 245–9 J.H. cherche âme sœur 197–9, 200, 246 La Se<strong>in</strong>e était rouge 195, 247 Le Ch<strong>in</strong>ois vert d’Afrique 197–205 passim, 245
262 Index Sebbar, Leïla (cont.) Parle mon fils 197, 198, 199, 201, 245 ‘Père et fils, mère et fils’ 197, 247 Shérazade trilogy 195, 200–6 passim, 224, 225, 245–9 passim Soldats 195, 247 Segal, Hannah 31, 34, 40n.5 Seidler, Vic 213, 221n.10 self (the) 4, 18–19, 54, 100, 133, 138, 143, 144, 147, 158, 175, 177, 192, 209, 215, 222, 224 childhood 69, 74, 75 hybrid 223 and identity 18–19, 44 loss of 17, 67, 163, 215 as other 9, 159, 163, 167 and (the) other(s) 20, 59, 62, 63, 102, 108, 121, 149, 151, 208, 223 search for 116n.4, 153 sense(s) of (the) 43, 44, 66, 70, 73, 75, 138, 144, 146–7, 152, 210, 215–16, 217, 224 self-implication 4, 12, 157, 160, 162, 163, 169 self-knowledge 73, 180, 198, 210 self–other relation(s) 19, 196 self-perception 19, 132, 138, 144, 224 separation 59, 68, 69, 70, 142, 178 from the mother 18, 56, 68, 71, 150–2 sex, sexuality 6, 15, 81–2, 96, 97, 110, 146, 208–19, 223 sexual politics 119, 123–8 passim, 224 subject(s) 8–13, 16, 17, 19, 53–63 passim, 76n.8, 107, 108, 112, 121, 130, 138, 159–67 passim, 177, 196, 199, 204, 209, 210, 213, 222 subjectivity 9, 32, 39, 107–15 passim, 177, 204, 208, 209, 210, 214 symbol(s) 31–5, 45, 69, 80, 107, 133 symbolic, the 6, 9, 55, 56 symbolisation 34–5, 40, 55 taboo(s) 14–15, 96, 101, 203, 212, 216, 219 testimony 17–18, 77, 143 transgression 12, 14–16, 37, 203, 207, 208, 216, 223 trauma 16–18, 21, 26n.33, 29–40 passim, 66, 67, 70, 73, 76n.4, 101, 143, 146, 150, 178, 187, 225 traumatic loss 53–63 passim unspeakable, the 54–7 passim vampire female 17, 53–64 veil(s) 203–5 violence 12, 15, 131, 146, 152, 189, 203, 204, 207, 210, 215, 219, 223 and sexuality 207–19 passim voyeurism 95, 200, 208 war 30, 33, 53, 119, 185, 195, 200, 202, 203 witness 17, 46, 48, 187 Wittig, Monique 22n.6 Woman 12, 38, 41n.10 woman, women 5, 7, 8, 11, 15, 37–8, 65, 75, 76n.8, 93, 122, 123, 144, 146, 160, 178, 195, 196–7, 203–11 passim, 225 and language 131–7 passim, 213–14 as objects of desire 214–15 as other(s) 202, 205 post-fem<strong>in</strong>ist 217–18 relations between 56, 59, 65, 66, 72–3 and sexuality 6, 15, 208 as subject(s) 16, 121, 162, 209 womanness 12, 225 see also fem<strong>in</strong><strong>in</strong>ity Worton, Michael 12, 24n.14, 76n.7, 129n.7 <strong>writ<strong>in</strong>g</strong> 5, 16, 39, 54, 79–80, 118, 120, 145, 149, 151–2, 172, 180, 205 aesthetics of 6, 8, 20 the body 13–16, 93–105 from melancholia 53–4, 61 and memory 19, 47–51 passim and photography 48 process 86, 88 subjects/subjects of 6, 8–9, 11, 16, 19, 62, 63 as therapy 17–18, 72, 86 ‘<strong>writ<strong>in</strong>g</strong> cure’ 61–2 see also autobiography; autofiction(s)
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WOMEN’S WRITING IN CONTEMPORARY F
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Copyright © Manchester University
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vi Contents 10 Saying the unsayable
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viii Contributors SHIRLEY JORDAN is
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ACKNOWLEDGEMENTS We would like to t
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2 Introduction introduce to English
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4 Introduction became more and more
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6 Introduction French ‘difference
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8 Introduction essential issues to
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10 Introduction Indeed, much contem
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12 Introduction phototextual projec
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14 Introduction about the body or e
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16 Introduction European Union) has
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18 Introduction Béatrice de Jurque
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20 Introduction and the group, the
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22 Introduction Feminist Perspectiv
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24 Introduction Barthes, Image, Mus
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26 Introduction 33 This is a wider
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1 VICTORIA BEST Louise L. Lambrichs
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Lambrichs: trauma, dream and narrat
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Lambrichs: trauma, dream and narrat
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Lambrichs: trauma, dream and narrat
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Lambrichs: trauma, dream and narrat
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Memory and identity in Redonnet’s
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3 KATHRYN ROBSON The female vampire
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Chawaf ’s melancholic autofiction
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4 GILL RYE Lost and found: mother-d
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Mother-daughter relations in Consta
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5 ELIZABETH FALLAIZE Puzzling out t
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Sibylle Lacan’s Un père 79 for o
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II Writing the dynamics of identity
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7 SARAH ALYN STACEY ‘On ne s’en
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8 GILL RYE Textual mirrors and unce
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- Page 267 and 268: 256 General bibliography Roudinesco
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