Women writing in contemporary France
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Contributors<br />
SHIRLEY JORDAN is Senior Lecturer <strong>in</strong> French at Oxford Brookes University.<br />
She publishes on Francis Ponge, on French women’s <strong>writ<strong>in</strong>g</strong> and on ethnography.<br />
Her recent projects have focused on Marie Darrieussecq, Virg<strong>in</strong>ie<br />
Despentes and Amélie Nothomb and she is currently <strong>writ<strong>in</strong>g</strong> a monograph on<br />
six <strong>contemporary</strong> French women writers.<br />
MARGARET A. MAJUMDAR has taught at the Universities of Westm<strong>in</strong>ster and,<br />
most recently, as Professor of French and francophone studies at the University<br />
of Glamorgan. She has published <strong>in</strong> the area of French political philosophy<br />
(<strong>in</strong>clud<strong>in</strong>g Althusser and the End of Len<strong>in</strong>ism? (Pluto Press, 1995)), Franco-<br />
Maghrebian relations and Maghrebian thought and literature, <strong>in</strong>clud<strong>in</strong>g<br />
the work of Leïla Sebbar. She was a found<strong>in</strong>g editor of the Bullet<strong>in</strong> of<br />
Francophone Africa and is currently edit<strong>in</strong>g Francophone Studies: The<br />
Essential Glossary.<br />
SIOBHAN MCILVANNEY is Lecturer <strong>in</strong> French at K<strong>in</strong>g’s College London. Her<br />
teach<strong>in</strong>g and research <strong>in</strong>terests lie <strong>in</strong> beur women’s <strong>writ<strong>in</strong>g</strong> and <strong>contemporary</strong><br />
French women’s <strong>writ<strong>in</strong>g</strong> generally. She has recently published a book on Annie<br />
Ernaux, entitled Annie Ernaux: The Return to Orig<strong>in</strong>s (Liverpool University<br />
Press, 2001).<br />
KATHRYN ROBSON has recently submitted her doctoral thesis on <strong>contemporary</strong><br />
French women’s <strong>writ<strong>in</strong>g</strong> at St Cathar<strong>in</strong>e’s College, Cambridge, and is now<br />
Lecturer <strong>in</strong> French at the University of Newcastle. She is co-editor, with Emily<br />
Butterworth, of Shift<strong>in</strong>g Borders: Theory and Identity <strong>in</strong> French Literature<br />
(Peter Lang, 2001).<br />
GILL RYE is Lecturer <strong>in</strong> French at the Institute of Romance Studies, University<br />
of London. She publishes widely on <strong>contemporary</strong> French women’s <strong>writ<strong>in</strong>g</strong>;<br />
co-editor (with Julia Dobson) of a special issue of Paragraph on Cixous<br />
(2000), she is author of Read<strong>in</strong>g for Change: Interactions between Text and<br />
Identity <strong>in</strong> Contemporary French <strong>Women</strong>’s Writ<strong>in</strong>g (Baroche, Cixous,<br />
Constant) (Peter Lang, 2001).<br />
MARION SADOUX teaches French language at UCL Language Centre. She has<br />
published articles on epistolary <strong>writ<strong>in</strong>g</strong> and on Marie Darrieussecq.<br />
AINE SMITH completed a Ph.D. on identity <strong>in</strong> the works of Annie Ernaux and<br />
Marie Redonnet <strong>in</strong> 2000. She has taught at the Universities of Lancaster,<br />
Durham, Lille III and Rennes II.<br />
MICHAEL WORTON is Vice-Provost and Fielden Professor of French Language<br />
and Literature at UCL. He has written extensively on modern French literature<br />
and on issues <strong>in</strong> critical theory and gender theory. His publications<br />
<strong>in</strong>clude Textuality and Sexuality: Read<strong>in</strong>g Theories and Practices, co-edited<br />
with Judith Still (Manchester University Press, 1993), Michel Tournier