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In Over Her Head by Elsie Russell - Parnasse.com

In Over Her Head by Elsie Russell - Parnasse.com

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He tossed her the suit from the floor.<br />

She looked around. "Got a hanger? This outfit's worth two<br />

grand, I'd like it to last."<br />

"Get real, girl, the suit's worth ten times that, and its doing just<br />

fine on the floor, okay?"<br />

Ula methodically took off her layers and folded them into a<br />

neat stack, then looking around for a place to put them, just put them<br />

on the floor in the corner. She dabbed a glob of lube between her legs<br />

and slithered into the hotsuit, careful not to kink the wires or<br />

disconnect any of the sensors.<br />

"Hey, can you help me with headgear? And check these wires,<br />

before you plug 'em into my head, I'm uninsulated now. Don't step on<br />

my clothes, please."<br />

He stomped over and jerked her suit around and checked the<br />

connections, then gave her a little spank on the butt. She ignored this<br />

and adjusted the hood and the goggles and slipped on the gloves.<br />

The mocap room was taped into a three dimensional grid<br />

pattern, Dayglo yellow on black, switching to red along the edges, and<br />

there were scuff marks up the wall from Jujitsu game sequences. A<br />

Plexiglas wall taped with the same grid pattern separated the<br />

"performance stage," including the "bed" platform from the control<br />

center, where the blinking modules and chunky CRT monitors were<br />

crammed together on a row of wooden sawhorse tables that lined the<br />

wall.<br />

Ng checked the crackling microphones, and Ula did a few<br />

stretches and practiced some moves on the grid.<br />

"Okay, now, we're gonna try something new, really edgy, are<br />

you with me? Oh, and you gotta be real careful with that left leg, the<br />

one you say you got arthritis in or somethin'. Christ how old are you,<br />

anyway?<br />

"It'll fuck up the whole thing. Remember, you can't fix an<br />

animation, it's like improv. It's gotta be perfect right off the bat. And<br />

you gotta work on that muscle memory, every take's gotta be exact so<br />

the sequences can fit together. Ever take mime? Lotta dancers do, helps<br />

with that."<br />

"Mime, hmm? Nope, but I know who could teach me."<br />

"Well, think about it. And remember to count this time, god<br />

dammit! Ready?" He went into the booth and checked that all systems<br />

were running.<br />

She stood in the middle of the room with her goggles up and<br />

102

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