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In Over Her Head by Elsie Russell - Parnasse.com

In Over Her Head by Elsie Russell - Parnasse.com

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Ula brushed her leg through and sprang forward, arms out in<br />

front, head tilted to the side. She landed, shot back up, then drifted<br />

down arms outstretched like wings and landing in a arabesque, her arm<br />

outstretched towards Penny<br />

Penny clapped un<strong>com</strong>fortably.<br />

"It's all about the flying. That's what Sandro says. He does<br />

Cecchetti, the Italian method, it's choppy and showy. I do Vaganova,<br />

the Kirov's method. It's slower but more lyrical, more like flying. But<br />

he's always <strong>com</strong>plaining about my technique, isn't that right?" Ula<br />

swept a stray lock from his eyes. He pushed her hand away.<br />

"I <strong>com</strong>plain because you do not keep the beat. Art is about<br />

precision first, expression later," he quipped.<br />

Watching them dance together was a shock. They moved and<br />

breathed as one organism, <strong>com</strong>municating through the mirror. What<br />

unfolded in the world beyond the glass was the truth of their<br />

relationship.<br />

Ula gulped down half her bottle, radiating.<br />

They did a <strong>com</strong>plicated step, where he caught Ula, swept her<br />

over his shoulder and flipped her over, her limbs rotating like the<br />

spokes of a wheel to the ground, then he launched her up, her wings<br />

spread out, like Nike.<br />

He explained something in French touching her back in two<br />

places, and asked Penny to play the passage again.<br />

"Brisé volé again, with a partner." Ula wiped her face with the<br />

towel.<br />

"This is, like, a pas de deux?" Penny asked from her corner.<br />

Ula watched for his reaction in the mirror.<br />

"I am thinking." He paused. "A male presence too brings a<br />

certain, em, gravitas—"<br />

"Balls," Ula cut in, patting her sweaty scalp with the towel.<br />

"This was your idea?" Penny asked. He nodded and walked<br />

over to her, kneeling down in front of her, careful not to disturb the<br />

mess of wires linking the machines.<br />

"Ula's right. Your music it has balls. It can support a whole<br />

<strong>com</strong>pany! Analog, not machines. Beating hearts! Right Ula?"<br />

"Trial run, Sandro. Let's keep it moving."<br />

Sandro turned up the volume and they got back to work, even<br />

though he looked ready to keel over. Across the room, like ghosts,<br />

translucent in the twilight.<br />

"Could you turn it down?" Ula asked the corner.<br />

148

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