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In Over Her Head by Elsie Russell - Parnasse.com

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I called Dick, she lives with him when she is in town, and he knows<br />

nothing! I dunno. I telephone Thierry, the guy with the mo cap place<br />

<strong>by</strong> La Bastille, but he knows nothing!”<br />

"Ah!" he said, pointing at the ceiling. "But there is another<br />

place, at Republique, now I remember, I search the number." He<br />

scrolled through. "No, I call Minitel." He punched in a number, pacing<br />

in ever smaller circles now. Muttering under his breath in Italian, he<br />

dialed again.<br />

"Oh, that thing won't work down here, use this." Penny handed<br />

him her cordless.<br />

Alessandro stared at it for a moment, then punched the long<br />

international code from his cell into Penny's phone. "Allo? Le numero<br />

pour Cyber Ciné? Oui, c'est ca." He listened, following the ceiling's<br />

uneven patchwork maze of pipes and nozzles. He punched in another<br />

number, tucking his cell phone under the cordless holding arm.<br />

"Cyber-Ciné? Eh? Ah! Pardonnez moi!" Squinting at his cell<br />

that he'd just dropped into his other hand, he punched in the number<br />

again and waited for the phone to be answered.<br />

"Allo? Etes vous CyberCiné? Bonjour, euh, bonne nuit. Avez<br />

vous une cliente inscrite chez vous au nom d'Ula Nova? Allo,<br />

monsieur?" Long pause. The guy's French was certainly more polished<br />

and polite than his English.<br />

"Vraiment? Et elle a rendezvous a quel heure? Demain a<br />

quatorze heures trente? Merci, monsieur, et pourriez vous lui relluer se<br />

message quand elle arrivera? 'Alessandro et Penny sont en ville, chez<br />

Deek.' Oui, c'est ca, d'accord, merci, vous etes bien gentil, monsieur.<br />

Au revoir."<br />

He handed the phone back. "At fourteen, em, two thirty<br />

tomorrow, she has appointment." Collapsed into the futon, he began<br />

appraising her as if she was an objet d'art in a museum.<br />

"What's this about 'Penny chez Dahveed in Pahree? I'm not<br />

going anywhere! I don't know you, either of you. And she only<br />

acknowledged my presence for the first time yesterday. This has<br />

absolutely nothing to do with me. and even if it did I've got work to do<br />

here. I can't just pick up and jet over to Paris! Hey, none of this is my<br />

fault, okay?"<br />

His eyes followed her like the Mona Lisa's as she paced and<br />

pivoted. What was he doing, searching for that microscopic breach of<br />

form like her gymnastics coach? Of course! Choreographer plus, what<br />

was it the New Yorker called him, her metteur en scène? But what was<br />

15

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