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In Over Her Head by Elsie Russell - Parnasse.com

In Over Her Head by Elsie Russell - Parnasse.com

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the studio. If he was in a decent mood he would be there, if not he<br />

would be drinking himself into Mr Hyde back home. She rang the bell,<br />

but no one answered. About now he would normally have been<br />

preparing his "palette" for the day's work.<br />

It was a fine day for walk in the Marais. Ula could walk for days<br />

in strange cities, or in familiar ones, absorbing the atmosphere, turning<br />

ideas over and over in her head. The obsessive mind is never at rest.<br />

She still had doubts about those Chinese immortality disciplines. At<br />

least she could forget abut the divine whoring at 'CyberSin.' What a<br />

downer that had been, after having such high hopes. She was the<br />

<strong>In</strong>visible Muse, the angel of the modulating signal that transmutes<br />

men's masturbatory experience, their fantasies made real, enhanced<br />

exponentially through her mastery of the apparatus, now turbo charged<br />

with the E.L.F. infused music. It could have worked.<br />

Once on the Place des Vosges she felt much better. Nannies<br />

pushed prams, pigeons chased sparrows, dogs chased all of them and<br />

the abundance of life swirled around her, taking her with it, and she<br />

swirled and twirled around the park. What freedom! She threw the<br />

tricorn into the trees and crossed the Rue de Turennes. She got to the<br />

Cathedral of St. Eustache and the giant head. That hat had been a<br />

mistake, too ancien règime, and now her head was getting cold. But<br />

there was Yohji's on the corner, so she stepped down into the boutique.<br />

Just inside the window on the faceless mannequin was a piece of winter<br />

headgear inspired <strong>by</strong> a medieval helmet. More of the moment than the<br />

tricorn, for the dark ages were back, with the crusades in full swing.<br />

Ula turned at the Rue de Rivoli that flanked the Louvre. She<br />

could check out the sculptures of sixth century mathematicians in the<br />

palace. She walked along the gilt spiked fence of the museum and<br />

turned in at the Passage Richelieu entrance. Waited for a brief moment<br />

with a busload of Japanese tourists who identified her in her Japanese<br />

costume as a particularly offensive subspecies of Gaijin. After the<br />

requisite inspection, she flashed her multipass and stepped onto the<br />

escalator down into the glass Pyramid where she removed her helmet,<br />

stuffed it into her bag and rode up another escalator into the Sully<br />

wing.<br />

105

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