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In Over Her Head by Elsie Russell - Parnasse.com

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ight in here. Every movement was an iconic gesture, each careful step<br />

had the cadence of a hundred centuries. Next to Ula the tourists looked<br />

like blind peasants stumbling around.<br />

"What is the sound of one hand clapping?" Ula demanded and<br />

stopped in front of a roman painting fragment of a winged wild eyed<br />

creature with punk hair and pointed ears that looked suspiciously like<br />

an elf. Where was this going? Penny wondered.<br />

"So, Penny, when you recover from your spell of Stendhal<br />

syndrome, why don't we continue our discussion of E.L.F. and<br />

difference waves and their modulation of the human psyche? Because,<br />

isn't all art modulated <strong>by</strong> a sublime agent, the invisible muse or angel?"<br />

Before she could respond Penny's eye caught the dried blood<br />

on Ula's hands and sleeves as she swept her arm around to the lilt of<br />

her words. They were back at the stairs, beneath the marble wings of<br />

Nike, who rose above the roar of a thousand living languages.<br />

Dizzy again, Penny grabbed on the low wall and sank onto the<br />

bench slab. Ula remained standing, patient as the marble that<br />

surrounded them. Penny shut her eyes to absorb the torrent of<br />

humanity flowing up and down the stairs.<br />

Work was always the answer at times like these. "Can we stop<br />

for a minute? I gotta get this."<br />

No one would approach the bald stork in her flapping robes.<br />

Penny put on her headphones, and set up the speakers eighteen inches<br />

apart at the foot of the Victory, with the minidisc machine on the stone<br />

ledge. She handed Ula the new ear buds, and with her fingers on the<br />

tiny wheels of the wire control, toggled to balance the sounds. Ula's<br />

pale eye sparked for a brief instant as she inserted the buds.<br />

"Stand there, and don't move. Don't even breathe."<br />

The rush of sound filled the space inside the disk. The<br />

movement of the sound waves that bounced off the marble and<br />

limestone surfaces; off the folds of Victory's chiton, the grooves of the<br />

feathers in her outspread wings were magnified <strong>by</strong> the Escheresque<br />

volumes of the staircase. And it was all captured in three, no, four,<br />

dimensions.<br />

<strong>Her</strong> face upturned and beatific Ula stood motionless beneath<br />

the colossal goddess.<br />

After ten minutes Penny turned off the machine, and replaced<br />

all the <strong>com</strong>ponents. Ula silently handed her the ear phones and they<br />

both merged into the descending crowd.<br />

"Anything else you wanted to discuss, Ula?"<br />

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