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In Over Her Head by Elsie Russell - Parnasse.com

In Over Her Head by Elsie Russell - Parnasse.com

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know, it is a sentimental mannerism, he was born here and he went to<br />

school here, but he never lived there and his French is so much better<br />

than his Italian! He swears in Italian, it is so cute. Have you seen him<br />

do this? He looks through his eyebrows like this, oooh." She made the<br />

face and started laughing and coughing, crushing out her half smoked<br />

cigarette.<br />

"Yeah, but he said merde to my <strong>com</strong>puter," Penny said,<br />

chuckling.<br />

"He should 'wash his mouth out with soap,' that one, is this the<br />

correct expression?" Maia howled with laughter as they zigzagged out<br />

into the drizzle.<br />

On their way out they passed a small, hole in the wall shop<br />

crowded with African masks, and inside, half hidden behind a curtain,<br />

was the guy again, arguing with his two suppliers. The streets were<br />

shiny with rain and the market scraps were getting slurped up <strong>by</strong><br />

automated bright green trucks. Even the curbs were scrubbed <strong>by</strong><br />

machines, helped out <strong>by</strong> sullen guys in safety green coveralls and<br />

matching plastic brooms: it was definitely Brave New World over here.<br />

Maia wobbled stoically up the hill in her stilettos as the rain<br />

drops got bigger and heavier. After crossing the busy Boulevard St.<br />

Germain and winding around another a corner they stopped at the<br />

small door of a building that slanted steeply back from the street, it was<br />

so old. Maia punched in her code, holding onto the sodden mink<br />

around her shoulders.<br />

A single neon strip zapped at the chiseled limestone walls. An<br />

early Otis prototype, crafted as finely as a harpsichord, sat inside an<br />

iron and brass filigree tube inside the spiral stone staircase. Maia lifted<br />

the curved brass latch and the two of them squeezed into the wood and<br />

glass coffin, Maia ducking and gathering her volumes of hair so none<br />

would get caught en route.<br />

Gears and pulleys churned above and below them, the box<br />

shook, then lifted up, squeaking and swaying up through the dim spiral<br />

staircase, smelling of machine oil, dust, floor wax and bourgeois<br />

banquets with lots of butter and tarragon. The elevator convulsed to a<br />

stop and they got out in the cold neon of the landing, painted in black<br />

lacquer like a sleazy nightclub. A framed poster with the words Mueller<br />

und Voodoo greeted them between two doors, one stainless steel with<br />

a <strong>com</strong>bination lock, the other with carved panels painted with cheap<br />

gold paint. Maia stuck her ornate key in the keyhole of the gold painted<br />

door.<br />

63

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