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Paintings Drawings Sculptures 2016 - Jean Luc Baroni

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1. Giovanni Domenico Ferretti, Harlequin and Trivelino,<br />

Soubrette and Harlequin, The Ashmolean Museum, Oxford.<br />

2. Giovanni Domenico Ferretti, Arlecchino ghiottone, Cassa di<br />

Risparmio, Florence.<br />

for the Sansedoni family in both Orazio’s Florentine<br />

residence near the Ponte Vecchio, and in the family<br />

palace on the Piazza del Campo in Siena. Sottili further<br />

explains that the series of Harlequinades in the Cassa<br />

di Risparmio was commissioned by Orazio Sansedoni<br />

to decorate his Florentine residence, whereas the<br />

group of pictures in Sarasota were destined for<br />

Giovanni di Ottavio Sansedoni’s new residence, the<br />

villa di Basciano, near Siena.<br />

Until the reappearance of the present sheet, only eight<br />

drawings of Harlequinades were known, of which six<br />

are in the Ashmolean Museum, Oxford 3 , there are also<br />

four engravings by Francesco Bartolozzi. The drawings<br />

all share roughly the same measurements and exactly<br />

the same medium, and two of the sheets in Oxford 4<br />

(fig.1) were used for the paintings of Arlecchino cuoco<br />

(Harlequin cook) and Arlecchino ghiottone (Harlequin<br />

glutton) (fig.2).<br />

In this newly identified drawing, the scene appears to<br />

show the lover character, sometimes called Colombina<br />

or Soubrette with her particular hair arrangement and<br />

dress, being protected from the railings of the Dottore;<br />

this same character appears identically with Pulcinella<br />

in a number of the Ashmolean sheets, as well as in the<br />

paintings. Ferretti’s draughtsmanship in these sheets<br />

is extremely distinctive and as Francesca Baldassari<br />

notes: The drawings are executed with a lightness of<br />

touch and the figures are given lively and characterful<br />

expressions which are much more vivid than those of<br />

the painted versions… 5 .<br />

116

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