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1. Giovanni Domenico Ferretti, Harlequin and Trivelino,<br />
Soubrette and Harlequin, The Ashmolean Museum, Oxford.<br />
2. Giovanni Domenico Ferretti, Arlecchino ghiottone, Cassa di<br />
Risparmio, Florence.<br />
for the Sansedoni family in both Orazio’s Florentine<br />
residence near the Ponte Vecchio, and in the family<br />
palace on the Piazza del Campo in Siena. Sottili further<br />
explains that the series of Harlequinades in the Cassa<br />
di Risparmio was commissioned by Orazio Sansedoni<br />
to decorate his Florentine residence, whereas the<br />
group of pictures in Sarasota were destined for<br />
Giovanni di Ottavio Sansedoni’s new residence, the<br />
villa di Basciano, near Siena.<br />
Until the reappearance of the present sheet, only eight<br />
drawings of Harlequinades were known, of which six<br />
are in the Ashmolean Museum, Oxford 3 , there are also<br />
four engravings by Francesco Bartolozzi. The drawings<br />
all share roughly the same measurements and exactly<br />
the same medium, and two of the sheets in Oxford 4<br />
(fig.1) were used for the paintings of Arlecchino cuoco<br />
(Harlequin cook) and Arlecchino ghiottone (Harlequin<br />
glutton) (fig.2).<br />
In this newly identified drawing, the scene appears to<br />
show the lover character, sometimes called Colombina<br />
or Soubrette with her particular hair arrangement and<br />
dress, being protected from the railings of the Dottore;<br />
this same character appears identically with Pulcinella<br />
in a number of the Ashmolean sheets, as well as in the<br />
paintings. Ferretti’s draughtsmanship in these sheets<br />
is extremely distinctive and as Francesca Baldassari<br />
notes: The drawings are executed with a lightness of<br />
touch and the figures are given lively and characterful<br />
expressions which are much more vivid than those of<br />
the painted versions… 5 .<br />
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