Paintings Drawings Sculptures 2016 - Jean Luc Baroni

NOTES
2 Bartolomeo Manfredi
1 See Annick Lemoine, Nicolas Régnier, (alias Niccolo Renieri) ca. 1588-1667, Peintre, collectionneur et marchand d’art, Paris
2007, under Principales oeuvres rejetées, Scènes de genre, R.77, Un Chasseur, oil on canvas, 38 x 31 cms., Karlsruhe, Staatliche
Kunsthalle (inv.302), Provenance: Collection of the Margravine Caroline Louise de Bade (1723-1783), in her posthumous
inventory, no.82 as by Domenico Fetti. Literature: Parthey (1863-1864), vol.1, P.431, no.34; Lauts 1966, p.241, as a copy after
Poelenburgh; Rosenberg and Mandrella, 2005, no.939 (ill.) as circle of Regnier.
2 We are grateful to Pierre Etienne for alerting us to this painting.
3 See, exhibition catalogue, Luce e ombra nella pittura italiana tra Rinascimento e Barocco. Da Tiziano a Bernini, San Paolo and
Rio de Janeiro, 2006, pp.100-102.
4 See Herwath Roettgen, Il Cavalier Giuseppe Cesari D’Arpino, Rome 2002, p.48 and cat.41, fig.32 and Exhibition catalogue,
Copper as Canvas, Two Centuries of Masterpiece Paintings on Copper,1575-1775, Phoenix, Arizona; Kansas City and The Hague,
1999, p.24, fig.1.7.
5 Ibid., Introduction by Edgar Peters Bowron, ‘A Brief History of European Oil Paintings on Copper’, 1560-1775, pp.9-44.
6 Email correspondence, 9 September 2013. Dr. Taylor cites Shakespeare’s 1592-3 poem as an example: Venus exhorting Adonis
to hunt the fox rather than the boar, Venus and Adonis, line 675.
7 Email correspondence, March-May 2016. The painting attributed to Hieronymus Francken is in the Musées des Beaux Arts de
Belgique (inv.6853), see the museum website: http://www.fine-arts-museum.be/fr/la-collection/hieronymus-francken-ii-attribuea-cabinet-damateur?artist=francken-hieronymus-ii-1&string=Francken
or Ursula Härting, Frans Francken der Jüngere (1581-
1642). Die Gemälde mit Kritischem Oeuvrekatalog, Freren 1989, cat.155, that attributed to Frans Francken is whereabouts
unknown and the panel attributed to Cornelis de Bailleur is in the Harrach collection at Schloss Rohrau in Austria.
8 Recently purchased by the Tokyo Museum of Western Art and recorded in Teniers’s Theatrum Pictorum. For another depiction
of a real collection see the well known painting by William van Haecht of The Cabinet of Cornelis van der Gheest, in the
Rubenshuis, Antwerp.
9 For a thorough discussion of the nature and purpose of the Gallery paintings, see Zirka Zaremba Filipczak, Picturing Art in
Antwerp 1550-1700, Princeton 1987.
10
Bert Schepers has kindly also pointed out Erik Duverger’s publication of archival documents relating the 17th Century Antwerp
art collections: the Antwerpse Kunstinvenarissen uit de Seventiende Eeuw, Brussels 2004, vol. 13, pp.74, 75, 272 and 294.
3 Claude Vignon
1 See Jacques Thuillier in Paola Pacht Bassani, op. cit., under Literature, 1992, p.54.
2 See Paola Bacht Bassani, op. cit., under Literature 1992, pp.392-3, under cat.358.
4 Pier Francesco Mola
1 For a general description of the artist’s work, see R. Cocke, Pier Francesco Mola, Oxford 1972; Pier Francesco Mola 1612-1666,
exhibition catalogue, edited by M. Kahn-Rossi, Lugano, Museo Cantonale d’Arte, and Rome, Musei Capitolini, 1989-1990,
Milan 1989; Mola e il suo tempo. Pittura di figura dalla collezione Koelliker, exhibition catalogue edited by F. Petrucci, Ariccia,
Palazzo Chigi, Milan 2005; F. Petrucci, Pier Francesco Mola (1612-1666). Materia e colore nella pittura del ‘600, Rome 2012.
2 See F. Petrucci, op. cit., 2012, p.31, fig.13, cat.B29.
3 See F. Petrucci, ibid., pp.112-114, fig. 73, cat.B122.
4 See L. Ficacci, ‘Giovannin de Pio: notizie su Giovanni Bonati pittore del cardinal Carlo Francesco Pio di Savoia’, in Quadri
Rinomatissimi. Il collezionismo di Pio di Savoia, edited by J. Bentini, Modena, 1994, pp.208, 223, fig.70; V. Casale, G. Sapori, La
Collezione d’arte della Cassa Depositi e Prestiti, 2008, cat.42, p.107; F. Petrucci, op. cit., 2012, cat.E.76.
5 See F. Petrucci, op. cit., cats. B.51, B70, B91, B93, B97, B130, C2, C3 and D17.
6 See F. Petrucci, op. cit., cat.D23, fig.55.
7 See F. Petrucci, op. cit., cat. B94, fig.75.
8 See J. Garms, Quellen aus dem Archiv Doria-Pamphilj zur Kunsttätigkeit in Rom unter Innocenz X, Rome and Vienna 1972, p.77;
M.N. Boisclair, Gaspard Dughet, Paris 1986, cat.117-123; M. Fagiolo dell’Arco, Pietro da Cortona e I ‘cortoneschi’, Gimignani,
Romanelli, Baldi, il Borgognone, Ferri, Milan 2001, pp.135-6, fig.80.
5 Mattia Preti
1 See Keith Sciberras, op. cit., under Literature, p.28 ‘Life and Work’.
2 Email communicated dated 13 December 2015
3 See Keith Sciberras, op. cit., cats. 58 and 59, pp.296-299.
7 Rosalba Carriera
1 Information taken from Denise Chantry, George Wade 1673-1748, published digitally, Great Britain, 2012.
2 See Bernardina Sani, Rosalba Carriera, Turin 1988, cat. 328, fig.287.
3 See op. cit., cat.318, fig.278.
8 Francesco Zuccarelli, R.a.
1 See F. Spadotto, Francesco Zuccarelli, catalogue raisonné of the paintings, Milan 2007.
2 See extensive descriptive letter from the author Francesca Spadotto
9 Gaetano Gandolfi
1 Cfr. D. Biagi Maino, Gaetano Gandolfi, Torino 1995.
2 R. Longhi, in R. Longhi, G. Zucchini, Mostra del Settecento bolognese, catalogue, Bologna, p. 55.
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