Paintings Drawings Sculptures 2016 - Jean Luc Baroni

4 Ibid., Z6, fig. 129.
5 Ibid., G12 and pl. 8.
6 Ibid., Z3, pl.55..
7 See Volk-Knüttel, op. cit., 2010, cat. Z.28, fig. 155 and D15, fig.295
8 Stijn Alsteens and Freyda Spira, Dürer and Beyond, Central European Drawings in The Metropolitan Museum of Art, 1400-1700,
New York, 2012, cat.52. See also Volk- Knüttel, op. cit., 2010, cat.Z31 and fig.158.
25 Giovanni Baglione
1 See Maryvelma Smith O’Neil, Giovanni Baglione, Artistic Reputation in Baroque Rome, Cambridge, 2002, p.1
2 Loc. cit., p.2.
3 oc. cit. p.57.
4 See Marybelma Smith O’Neil, ‘Giovanni Baglione: “Il Modo Eccellente di Disegnare”, Master Drawings, Vol.36, No.4 (Winter
1998), p.362.
5 See, Andrea Czére, ‘New Drawings by Giovanni Baglione’, Master Drawings, Vol.36, No.4 (Winter 1998).
6 See, Andrea Czére, op. cit., pp.381 and 382, figs. 4-7 and p. 393.
7 See the discussion of the Rubens by Walter Liedtke in Flemish Paintings in the Metropolitan Museum of Art, 1984, vol.I, pp.209-
211 and vol.II pls.79 and 80.
26 Camillo Procaccini
1 See Catherine Monbeig Goguel, ‘Four Drawings in the Louvre for a Visitation by Camillo Procaccini’, Master Drawings, vol.31,
No.4, Essays in Memory of Jacob Bean (1923-1992), Winter 1993, pp.399-404.
2 http://italnet.library.nd.edu/ambrosiana/webpubsql_ambros_ita.
27 Giovanni Domenico Ferretti
1 See Francesca Baldassari, Giovanni Domenico Ferretti, Milan 2003, p.9.
2 See Edward A. Maser, Gian Domenico Ferretti, Florence 1968, pp.220-221, figs. 163-167 and pp.90-91 and 110; and Baldassari,
op. cit., p.236 and figs. 5,6 and 7.
3 See Fabio Sottili, Le “Arlecchinate” di Giovanni Domenico Ferretti e la committenza Sansedoni, in Paragone, vol.81, 2008, pp.
32-54.
4 Baldassari, op. cit., nos.6-7, p. 238, illustrated p. 236.
5 Francesca Baldassari, op. cit., p.238, under no. 7.
28 Giovanni Domenico Tiepolo
1 See A. Gealt and George Knox, op. cit., 2005, under cat.45, and also cats.44, 65 and 80 and James Byam Shaw, The Drawings
of Domenico Tiepolo, London 1962, p.94, .
2 See, A. Gealt and George Knox, Domenico Tiepolo A New Testament, Indiana, 2006, cat. 143.
29 Giovanni Domenico Tiepolo
1 See James Byam Shaw, The Drawings of Domenico Tiepolo, London 1962, p.49 and cat.78.
2 Ibid., cat.79
3 See exhibition catalogue, George Knox, Tiepolo A Bicentenary Exhibition 1770-1970, Harvard University, Fogg Art Museum,
1970, under cat.87.
4 See for example exhibition catalogue, Scene di vita quotidiana a Venezia e nella terraferma, Venice 2005, p.127, cat.33 and 30.
5 See James Byam Shaw, op. cit., p. 51.
30 Pietro Antonio Novelli
1 See Keith Christiansen, Giambattista Tiepolo, exhibition catalogue, Metropolitan Museum of Art, New York, 1996, p.259.
2 See Terence Mullaly, review, ‘The Reliable Venetian Hand’, an exhibition in Venice and some additions’, Burlington Magazine,
vol. 109, No.766, January 1967, pp.48-51.
31 Mauro Gandolfi
1 For Mauro Gandolfi’s biography, see D. Biagi Maino in Dizionario Biografico degli Italiani, vol.52, Rome 1999 as well as in ‘Talento
di famiglia. La pittura di Ubaldo, Gaetano e Mauro Gandolfi’ in Da Bononia a Bologna. Percorsi nell’arte Bolognese: 189 a C.
-2011, Torino 2011, pp.301ff.
2 See Mauro Gandolfi’s autobiographical record of his voyage to America, written in 1816, the manuscript of which is divided
between the Biblioteca Comunale di Bologna and the Ambrosiana in Milan.
3 See, D. Biagi Maino, Gaetano Gandolfi e I volti della scienza, La Pinacoteca Bassiana di Bologna, exhibition catalogue, Parma 2016.
4 See preceding note and also exhibition catalogue, Old Master Drawings presented by Jean-Luc Baroni, Colnaghi, New York, 1987,
cats. 36 and 38. Also Jacob Bean and William Griswold, Eighteenth Century Italian Drawings in the Metropolitan Museum, New
York 1990, cat.60, where this and the other related portrait drawings are given to Gaetano Gandolfi on the attribution of Mimi
Cazort.
32 Giovanni Battista Piranesi
1 Andrew Robison, ‘Piranesi’s Printers’, in Venezia Settecento, Studi in memoria di Alessandro Bettagno, Milan 2015, pp.167-171.
2 See Robison, op. cit. 2015, p.167. And Alessandro Bettagno, Disegni di Giambattista Piranesi, Venice 1978, p.56, cat.58.
3 See Jacob Bean and Felice Stampfle, Drawings from New York Collections III, The Eighteenth Century in Italy, New York 1971,
p.97, cat. and fig. 237.
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