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Paintings Drawings Sculptures 2016 - Jean Luc Baroni

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Gaetano Gandolfi<br />

Bologna 1734 - 1802<br />

9<br />

A Young Woman in Profile, her Hair Braided, one Hand held to her Forehead (St. Mary Magdalene)<br />

Oil on canvas.<br />

48 x 37.5 cm (18 ½ x 14 ½ in.)<br />

Provenance: Private Collection, France .<br />

Of superb quality, this intense character study belongs<br />

with the small but precious group of works in this<br />

vein, which form a fascinating aspect of the great art of<br />

Gaetano Gandolfi, the artist who, perhaps better than<br />

any other in Italy, represents the style and eloquence<br />

of the pictorial culture during the closing years of the<br />

ancien régime.<br />

Gandolfi’s formation took place in Bologna during the<br />

1760s, the lively and stimulating years of the papacy<br />

of the Bolognese Pope Benedict XIV. As a result of the<br />

latter’s reformatory work, this period saw the emergence<br />

of a taste and culture refashioned along classical lines,<br />

in contrast to the rococo art of the previous decades.<br />

Benedict XIV endowed the Academy of Fine Arts<br />

of his birthplace, the Accademia Clementina, with<br />

the instruments that made it possible to highlight the<br />

value of a pictorial art based on the inheritance of the<br />

previous centuries, the glorious school of the Carracci,<br />

and of the study of ancient Greek and Roman statuary.<br />

Gandolfi, with his extraordinary insight and outstanding<br />

talent, was able to make use of all the stimuli provided<br />

by the institution, not least the important opportunities<br />

offered by contact with the Academicians of the other<br />

Bolognese centre of learning, the prestigious Istituto<br />

delle Scienze. Gandolfi’s well-documented stay in<br />

Venice in 1760, backed by a generous patron, allowed<br />

him to broaden his culture by becoming acquainted<br />

not only with the great art of the painters of the Veneto:<br />

Titian, Tintoretto, Veronese and above all Tiepolo, but<br />

also with one of the most cosmopolitan centres for the<br />

artistic developments of the period 1 .<br />

Thanks to his quick-wittedness and unquenchable thirst<br />

for knowledge, which were accompanied, throughout<br />

his life, by a sort of modesty that never allowed him to<br />

give up his desire to learn and improve, he acquired<br />

a style that was unique and almost unrivalled, even<br />

1. Gaetano Gandolfi, Portrait of the artist’s children,<br />

Private collection.<br />

2. Gaetano Gandolfi, Two young women (detail), Private<br />

collection.<br />

36

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