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Gaetano Gandolfi<br />
Bologna 1734 - 1802<br />
9<br />
A Young Woman in Profile, her Hair Braided, one Hand held to her Forehead (St. Mary Magdalene)<br />
Oil on canvas.<br />
48 x 37.5 cm (18 ½ x 14 ½ in.)<br />
Provenance: Private Collection, France .<br />
Of superb quality, this intense character study belongs<br />
with the small but precious group of works in this<br />
vein, which form a fascinating aspect of the great art of<br />
Gaetano Gandolfi, the artist who, perhaps better than<br />
any other in Italy, represents the style and eloquence<br />
of the pictorial culture during the closing years of the<br />
ancien régime.<br />
Gandolfi’s formation took place in Bologna during the<br />
1760s, the lively and stimulating years of the papacy<br />
of the Bolognese Pope Benedict XIV. As a result of the<br />
latter’s reformatory work, this period saw the emergence<br />
of a taste and culture refashioned along classical lines,<br />
in contrast to the rococo art of the previous decades.<br />
Benedict XIV endowed the Academy of Fine Arts<br />
of his birthplace, the Accademia Clementina, with<br />
the instruments that made it possible to highlight the<br />
value of a pictorial art based on the inheritance of the<br />
previous centuries, the glorious school of the Carracci,<br />
and of the study of ancient Greek and Roman statuary.<br />
Gandolfi, with his extraordinary insight and outstanding<br />
talent, was able to make use of all the stimuli provided<br />
by the institution, not least the important opportunities<br />
offered by contact with the Academicians of the other<br />
Bolognese centre of learning, the prestigious Istituto<br />
delle Scienze. Gandolfi’s well-documented stay in<br />
Venice in 1760, backed by a generous patron, allowed<br />
him to broaden his culture by becoming acquainted<br />
not only with the great art of the painters of the Veneto:<br />
Titian, Tintoretto, Veronese and above all Tiepolo, but<br />
also with one of the most cosmopolitan centres for the<br />
artistic developments of the period 1 .<br />
Thanks to his quick-wittedness and unquenchable thirst<br />
for knowledge, which were accompanied, throughout<br />
his life, by a sort of modesty that never allowed him to<br />
give up his desire to learn and improve, he acquired<br />
a style that was unique and almost unrivalled, even<br />
1. Gaetano Gandolfi, Portrait of the artist’s children,<br />
Private collection.<br />
2. Gaetano Gandolfi, Two young women (detail), Private<br />
collection.<br />
36