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Paul-César Helleu<br />
Vannes 1859 - 1927 Paris<br />
39<br />
Portrait of Suzanne Neret in Profile, Wearing a<br />
Pink and Black Hat<br />
Pencil and pastel. Laid down on card. Signed and<br />
inscribed: Helleu/ à..m.lle Suzanne.<br />
600 x 460 mm (23 5 /8 x 18 1 /8 in.)<br />
Provenance: Giancarlo <strong>Baroni</strong>, Switzerland.<br />
Literature: This work will be included in the forthcoming<br />
catalogue raisonné, now in preparation by l’Association<br />
des Amis de Paul César Helleu, as no. DE-1896.<br />
Helleu trained at the École des Beaux Arts under<br />
Gérôme but was more in sympathy with plein air artists<br />
than those of the academic tradition. He became friends<br />
with Degas and Monet and also with the American born<br />
painters Whistler and Sargent and in Giovanni Boldini,<br />
found a kindred spirit. Early in his career as a portraitist<br />
he met Alice Guérin, daughter of one of his sitters<br />
and she became his wife and favourite model. Helleu<br />
lived amongst the beau monde, and partly inspired the<br />
figure of the dashing painter Elstir in Marcel Proust’s À<br />
la recherche du temps perdu. An instinctively brilliant<br />
draughtsman and pastellist, he also became a virtuoso<br />
etcher; his greatest flair was as a society portraitist and<br />
indeed he was hugely successful not only in Paris but<br />
in London and New York. The sea and sailing became,<br />
after art, his chief occupation and with his work in such<br />
demand, he was able to own four fine yachts. In 1912,<br />
on his second visit to America, he was commissioned<br />
to design the ceiling of the Great Hall of Grand<br />
Central Station in New York which he turned into an<br />
extraordinary vision of the night sky with the signs of<br />
the zodiac.<br />
This superb example of Helleu’s pastel technique has<br />
all his customary brilliance and probably dates from<br />
around 1915. The relaxed pose, limpid eye and cool<br />
skin of the sitter, Suzanne, the curls of her red hair<br />
contained by the brim of her velvet edged hat, are all<br />
captured with Helleu’s particular energy. Helleu was<br />
a friend of Gaston Neret, Suzanne’s father. He was a<br />
regular visitor at the Neret family’s private villa (hôtel<br />
particulier) in the Villa Dupont (an exclusive address in<br />
the aristocratic 16ème arrondissement of Paris). There,<br />
Helleu frequently portrayed Suzanne, as well as her<br />
sisters Marie and Henriette.<br />
We are grateful to Maître Neret-Minet for providing the<br />
information concerning the sitter.<br />
Translated from a text by Mario Fagioli<br />
148<br />
actual size detail