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Paintings Drawings Sculptures 2016 - Jean Luc Baroni

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Paul-César Helleu<br />

Vannes 1859 - 1927 Paris<br />

39<br />

Portrait of Suzanne Neret in Profile, Wearing a<br />

Pink and Black Hat<br />

Pencil and pastel. Laid down on card. Signed and<br />

inscribed: Helleu/ à..m.lle Suzanne.<br />

600 x 460 mm (23 5 /8 x 18 1 /8 in.)<br />

Provenance: Giancarlo <strong>Baroni</strong>, Switzerland.<br />

Literature: This work will be included in the forthcoming<br />

catalogue raisonné, now in preparation by l’Association<br />

des Amis de Paul César Helleu, as no. DE-1896.<br />

Helleu trained at the École des Beaux Arts under<br />

Gérôme but was more in sympathy with plein air artists<br />

than those of the academic tradition. He became friends<br />

with Degas and Monet and also with the American born<br />

painters Whistler and Sargent and in Giovanni Boldini,<br />

found a kindred spirit. Early in his career as a portraitist<br />

he met Alice Guérin, daughter of one of his sitters<br />

and she became his wife and favourite model. Helleu<br />

lived amongst the beau monde, and partly inspired the<br />

figure of the dashing painter Elstir in Marcel Proust’s À<br />

la recherche du temps perdu. An instinctively brilliant<br />

draughtsman and pastellist, he also became a virtuoso<br />

etcher; his greatest flair was as a society portraitist and<br />

indeed he was hugely successful not only in Paris but<br />

in London and New York. The sea and sailing became,<br />

after art, his chief occupation and with his work in such<br />

demand, he was able to own four fine yachts. In 1912,<br />

on his second visit to America, he was commissioned<br />

to design the ceiling of the Great Hall of Grand<br />

Central Station in New York which he turned into an<br />

extraordinary vision of the night sky with the signs of<br />

the zodiac.<br />

This superb example of Helleu’s pastel technique has<br />

all his customary brilliance and probably dates from<br />

around 1915. The relaxed pose, limpid eye and cool<br />

skin of the sitter, Suzanne, the curls of her red hair<br />

contained by the brim of her velvet edged hat, are all<br />

captured with Helleu’s particular energy. Helleu was<br />

a friend of Gaston Neret, Suzanne’s father. He was a<br />

regular visitor at the Neret family’s private villa (hôtel<br />

particulier) in the Villa Dupont (an exclusive address in<br />

the aristocratic 16ème arrondissement of Paris). There,<br />

Helleu frequently portrayed Suzanne, as well as her<br />

sisters Marie and Henriette.<br />

We are grateful to Maître Neret-Minet for providing the<br />

information concerning the sitter.<br />

Translated from a text by Mario Fagioli<br />

148<br />

actual size detail

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