09.01.2021 Views

Canto Cutie - Volume 2

Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR

Curated by Katherine Leung

Edited by G and Tsz Kam

Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong

Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong

Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong

Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA

Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR

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Bianca Ng

Acrylic marker

It’s Me, Mom.

My parents gave up a comfortable life in China

so that their children could have better

opportunities. When they came to America,

like all immigrants, they struggled. First, they

had my sister, and four years later they had

me. I was sent back to China between the ages

of two and four. I stayed with my aunt and

uncle because my parents couldn’t afford to

care for both children at the same time.

Growing up, my mom fed me stories as though

this was a vacation, whether out of guilt,

survival, or ignorance. She shaped my story

before I even had time to process or react to

the experience.

When I started grade school in America, I

would share my story with my friends because

it felt like a cool fun fact. Something

interesting to say to fill the silences.

Somewhere between grade school and college,

this experience morphed into something

embarrassing at best and shameful at worst.

I’d realized no one else I’ve ever met could

relate to my story. I forgot about it entirely

until I began to explore my complicated

relationship with my mom through my

artwork and therapy.

In 2016 my friend sent me this compelling

essay on NPR written by Beth Fertig called “For

‘Satellite Babies,’ Separation Can Take Its Toll.”

It was about children born in the U.S. and

raised in China. My entire life I thought I was

the only person who went through this specific

relational trauma.

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