Canto Cutie - Volume 2
Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR
Curated by Katherine Leung
Edited by G and Tsz Kam
Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong
Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong
Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong
Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA
Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR
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Photos on page 75-79 are part of the series Snippets from
my Second Home by Nat Loos.
Being half Cantonese and half German, I sometimes felt
awkwardly situated in-between both sides, but I'm slowly
learning to explore and embrace all parts of myself. When
I'm away and miss Hong Kong, I look at these photos and
feel as though I'm transported back into my second home.
About Nat
I'm a university student currently studying Art History
and Asian Studies. I've always been drawn to all things
visual and love to capture moments around me.
Photography is an outlet I use to express myself and it
helps me appreciate the world I live in more.
Photos on page 70-71, 80-81 are work of Cehryl.
These two photos were taken last year when I first moved back
to Hong Kong from the US. In both photos, I see an atmosphere
of uncertainty, and the moving figures in the purple photo of
Sham Shui Po look like sad wandering ghosts. They parallel how
I've felt about Hong Kong when I was away. I was constantly
homesick, and yearned to taste the chaotic, saturated, resilient
spirit of my city. But even when I returned home, the longing
was stuck in me. What was it, then, that I really longed for? Was
it just the memory of an old Hong Kong? Sometimes, I feel like
one of the wandering ghosts in the picture. Looting the past, an
invisible thief.
About Cehryl
I was born and raised in Hong Kong but moved to the US for
college. In the seven years away from home, I invented and
reinvented my identity, that grew further and further away from
who my family understood I was (or wasn't). It's been confusing
and heartbreaking to reconcile the differences between who I
was and who I had become. Growing up, I resented a lot of
societal pressures and traditional Chinese values — I wanted to
be free — but as I got older, I grew more critical and cynical
(thankfully) about the Western notion of identity and
invidualism. This internal conflict will likely never dissolve, so
I'm grateful for music, photography and words, through which I
try to trace my roots, my split ends, and everything else.
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