09.01.2021 Views

Canto Cutie - Volume 2

Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR

Curated by Katherine Leung

Edited by G and Tsz Kam

Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong

Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong

Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong

Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA

Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR

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Photos on page 75-79 are part of the series Snippets from

my Second Home by Nat Loos.

Being half Cantonese and half German, I sometimes felt

awkwardly situated in-between both sides, but I'm slowly

learning to explore and embrace all parts of myself. When

I'm away and miss Hong Kong, I look at these photos and

feel as though I'm transported back into my second home.

About Nat

I'm a university student currently studying Art History

and Asian Studies. I've always been drawn to all things

visual and love to capture moments around me.

Photography is an outlet I use to express myself and it

helps me appreciate the world I live in more.

Photos on page 70-71, 80-81 are work of Cehryl.

These two photos were taken last year when I first moved back

to Hong Kong from the US. In both photos, I see an atmosphere

of uncertainty, and the moving figures in the purple photo of

Sham Shui Po look like sad wandering ghosts. They parallel how

I've felt about Hong Kong when I was away. I was constantly

homesick, and yearned to taste the chaotic, saturated, resilient

spirit of my city. But even when I returned home, the longing

was stuck in me. What was it, then, that I really longed for? Was

it just the memory of an old Hong Kong? Sometimes, I feel like

one of the wandering ghosts in the picture. Looting the past, an

invisible thief.

About Cehryl

I was born and raised in Hong Kong but moved to the US for

college. In the seven years away from home, I invented and

reinvented my identity, that grew further and further away from

who my family understood I was (or wasn't). It's been confusing

and heartbreaking to reconcile the differences between who I

was and who I had become. Growing up, I resented a lot of

societal pressures and traditional Chinese values — I wanted to

be free — but as I got older, I grew more critical and cynical

(thankfully) about the Western notion of identity and

invidualism. This internal conflict will likely never dissolve, so

I'm grateful for music, photography and words, through which I

try to trace my roots, my split ends, and everything else.

80

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