Canto Cutie - Volume 2
Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR
Curated by Katherine Leung
Edited by G and Tsz Kam
Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong
Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong
Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong
Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA
Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
I think I was always interested in fiber
art. I remember teaching myself how to
crochet when I was little and making
little clothes for my dolls. I also
remember harassing my mom to learn
how to knit, so she could teach me how
to follow more complex patterns. I really
have my mom to thank for nurturing all
of my interests and supporting me in all
my artistic endeavors. My fiber practice
started early, and it just grew with me as
I got older, until I realized I could
(hopefully haha) make it into a career.
In your daily log of quarantine life, you
depicted how your father, a doctor, had
to undergo the process of quarantining
from your mother in their own house, by
hanging up a transparent plastic
curtain. The picture you've drawn of it is
very stark, a crazy reality. In May, just
two months a!er quarantine started in
the US, you created the clear vinyl shell
to be worn over your head. Are there any
parallels between these two
experiences?
I’m really glad you made that connection,
the vinyl shell was actually a direct
response to the experiences of my
parents. Every time I would facetime my
dad, my mom would wave hi from behind
the plastic curtain, and vice versa. They
would tell me how sad they were that they
couldn’t hug, or kiss, or even just eat
dinner together in the same room. It
made me think about how the things that
protect us physically, are hurting us
mentally. During a pandemic, it’s really
hard to toe that line between physical and
emotional needs. So that one moment my
parents described to me really inspired
me to think about all these things and
create the shell piece. We hide away in
our shell for safety, but we still look out
into the world, longing for connection.
facetime