09.01.2021 Views

Canto Cutie - Volume 2

Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR

Curated by Katherine Leung

Edited by G and Tsz Kam

Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong

Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong

Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong

Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA

Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR

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You use graphite as a texture for a lot

of your comics, and the way you use

it has this very bold and animated

quality about it, but also a very

intimate quietness throughout. Can

you talk more about the relationship

you have with your chosen medium?

I am drawn to how pencil allows me

to feel as if I am working in dra!-

mode. The tangible and erase-able

quality expresses a sense of

exploration and play in my work. As

many of the moments I draw in pencil

are quiet and meditative, the humble

material of graphite, which may

remind us of taking tests in school or

even drawing as a child, brings me

back to a sense of beginning again,

with every new panel.

You create a lot of risograph zines of

your work, how did you come to

discover this medium?

risograph

I had collected many riso zines and

prints from places like Odds and Ends

Art Book Fair and New York Art Book

Fair before ever making my own, and

it felt like a dream come true to work

in that medium for the first time in

summer 2018.

Odds and Ends

2018

16

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