Canto Cutie - Volume 2
Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR
Curated by Katherine Leung
Edited by G and Tsz Kam
Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong
Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong
Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong
Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA
Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR
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You use graphite as a texture for a lot
of your comics, and the way you use
it has this very bold and animated
quality about it, but also a very
intimate quietness throughout. Can
you talk more about the relationship
you have with your chosen medium?
I am drawn to how pencil allows me
to feel as if I am working in dra!-
mode. The tangible and erase-able
quality expresses a sense of
exploration and play in my work. As
many of the moments I draw in pencil
are quiet and meditative, the humble
material of graphite, which may
remind us of taking tests in school or
even drawing as a child, brings me
back to a sense of beginning again,
with every new panel.
You create a lot of risograph zines of
your work, how did you come to
discover this medium?
risograph
I had collected many riso zines and
prints from places like Odds and Ends
Art Book Fair and New York Art Book
Fair before ever making my own, and
it felt like a dream come true to work
in that medium for the first time in
summer 2018.
Odds and Ends
2018
16