Canto Cutie - Volume 2

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Table of ContentsForword by Katherine Leung / 6Artwork: Peachtree Plaza by Karen Kar Yen Law / 8Artwork: Still Life at Popo’s by Marissa De Sandoli / 10Interview with Kaitlin ChanHong Kong-based illustrator / 12Cute and Cantonese: An identity rooted in couragePhoto set: Bygone Battle by Jasmine Li / 30Artwork: Stay Angry by Charlotte / 33Interview with Crystal LeeHong Kong-based cover artist / 40Short story: Fish Eye by Ruo Wei / 52Photo: Like Ghosts by Cehryl / 68Poetry: Upheaval by KR / 70Photo: Walking Home by Cehryl / 78Photo set: Snippets from mySecond Home by Nat Loos / 734Artwork: Still Life at Popo’s by Marissa De Sandoli / 81
Interview with Annika ChengNew York-based fiber artist / 82Poetry: day go by by Karen Leong / 111Artwork: Identity by Winnie Chan / 112Short story: It’s me, Me. by Bianca Ng / 118Artwork: I’ll Find you Again in 1981 by Kristie Song / 123Photo set: Passing Through by Jasmine Li / 124Short story: Carefully step over the gap of my open heartand show me where I came from by Clovis Wong / 126Artwork: Canto Speak by Jasmine Hui / 136Essay: Dreaming Hong Kong by Arron Luo / 138Artwork: Making Dumplings by Ying L / 142Short story: Eating Siu Mai Doesn’t Make you Cantonese / 143Artwork: CUNG 4 GWONG 1 by saamsyu / 145Artwork: Triptych by Irene Kwan / 146Poetry: Until the Sunlit Aurora by Raymond Chong / 148Artwork: Mondays by Irene Kwan / 149A!erword by G and Tsz Kam / 1505
Page 1: 藝文聚粵Canto CutieAn art zi
Page 6 and 7: From the editorWhen I started this
Page 8 and 9: 8Peachtree PlazaKaren Kar Yen LawMo
Page 10: Still Life at Popo'sMarissa De Sand
Page 14 and 15: 14kaitlinchan.com@kaitlinmchan
Page 16 and 17: You use graphite as a texture for a
Page 18 and 19: 18Calendar (2020), a 4-panel comic
Page 20 and 21: Intimacy is a theme subtly depicted
Page 22: Sai Mun Zai (2018), a comic origina
Page 25 and 26: In scanning vintage queer newslette
Page 27 and 28: 2020——
Page 29 and 30: Jeffrey AndrewsThe Africa CenterHon
Page 31: Cute andCantonese:An identityrooted
Page 34 and 35: 34
Page 38 and 39: 38A!er the Chinese government passe
Page 41 and 42: Cover ArtistCrystal Lee
Page 43 and 44: Crystal LeeHong KongCrystal Lee is
Page 45 and 46: W h a t w a s y o u r e x p e r i e
Page 47 and 48: You mentioned that youw a n t e d t
Page 52 and 53: Fish EyeTrigger warning: suicide id
Page 54 and 55:
When a Fisheye is cooked, the trans
Page 56 and 57:
A passage from the Bible: Citizens
Page 59 and 60:
But ANON had never thought of dying
Page 61 and 62:
The phenomenon has been ongoing for
Page 63 and 64:
ANON never knew that there was an a
Page 65 and 66:
babbled some gossips. She was out o
Page 67 and 68:
Images on page 42 - 69 are part of
Page 70 and 71:
70Upheaval:A poetrycollectionon Hon
Page 72 and 73:
cliff facedI am back but in what wa
Page 74 and 75:
74
Page 77 and 78:
Kei qin ahHalf bakedIt is dystopia
Page 80 and 81:
Photos on page 75-79 are part of th
Page 82 and 83:
82
Page 85 and 86:
Annika ChengNew York, USAAnnika Che
Page 87 and 88:
Being a BIPOC, especially an Asianp
Page 89 and 90:
Annika ChengThe Shell of a MaskClea
Page 91 and 92:
I think I was always interested in
Page 93 and 94:
93
Page 95 and 96:
Transportation came up a lot becaus
Page 97 and 98:
Page 94-99:Annika ChengOur Home, Ho
Page 101 and 102:
You write that you cut up your ownc
Page 103 and 104:
When creating Beautiful American Ch
Page 105 and 106:
When I was younger, I was very prou
Page 107 and 108:
TikTok107
Page 109 and 110:
Can you talk more about the process
Page 111 and 112:
day go byHeady rush yesterday when
Page 113 and 114:
Winnie ChanHong KongWinnie Chan is
Page 117 and 118:
19981997
Page 119 and 120:
Bianca NgNew Jersey, USABianca Ng (
Page 122 and 123:
During the first few years, babiesa
Page 126 and 127:
Carefully stepover the gap ofmy ope
Page 128 and 129:
Carefully step over the gap ofmy op
Page 130:
To this day, the sound of Cantonese
Page 133 and 134:
Whenever I commute around myhometow
Page 135 and 136:
Photos on page 128-139 are part of
Page 137 and 138:
This is about being aCantonese-Amer
Page 139 and 140:
Arron LuoAtlanta, USAArron Luo (he/
Page 141 and 142:
the ongoing push and pull and si! a
Page 143 and 144:
Eating Siu Mai Doesn’tMake You Ca
Page 145 and 146:
CUNG 4 GWONG 1saamsyuVideo still@sa
Page 147 and 148:
This triptych artwork, “,” is a
Page 149 and 150:
MondaysIrene KwanIllustration & dig
Page 151 and 152:
stood out to me like an eyesore. It
Page 153:
I am so glad to have made new frien
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Canto Cutie - Volume 2

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