Canto Cutie - Volume 2
Curated by Katherine Leung Edited by G and Tsz Kam Artist Features Annika Cheng | New York, USA Kaitlin Chan | Hong Kong Crystal Lee | Hong Kong Photography Jasmine Li | Boston, USA Nat Loos | Perth, Australia Cehryl | Hong Kong Artwork Winnie Chan | Hong Kong Marissa De Sandoli | Vancouver, Canada Jasmine Hui | Seattle, USA Irene Kwan| Houston, USA Karen Kar Yen Law | Toronto, Canada Ying Li | Melbourne, Australia Charlotte | Hong Kong saamsyu | Hong Kong Writing Arron Luo | Atlanta, USA Bianca Ng | New Jersey, USA Kristie Song | Irvine, USA Ruo Wei | Hong Kong Clovis Wong | Redmond, USA Poetry Raymond Chong | Sugarland, USA Karen Leong | Sydney, Australia KR
Curated by Katherine Leung
Edited by G and Tsz Kam
Artist Features
Annika Cheng | New York, USA
Kaitlin Chan | Hong Kong
Crystal Lee | Hong Kong
Photography
Jasmine Li | Boston, USA
Nat Loos | Perth, Australia
Cehryl | Hong Kong
Artwork
Winnie Chan | Hong Kong
Marissa De Sandoli | Vancouver, Canada
Jasmine Hui | Seattle, USA
Irene Kwan| Houston, USA
Karen Kar Yen Law | Toronto, Canada
Ying Li | Melbourne, Australia
Charlotte | Hong Kong
saamsyu | Hong Kong
Writing
Arron Luo | Atlanta, USA
Bianca Ng | New Jersey, USA
Kristie Song | Irvine, USA
Ruo Wei | Hong Kong
Clovis Wong | Redmond, USA
Poetry
Raymond Chong | Sugarland, USA
Karen Leong | Sydney, Australia
KR
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Eating Siu Mai Doesn’t
Make You Cantonese
by Kristie Song
As a kid, the highlight of every week was Sunday morning dim sum with
my maternal grandparents, Gong-gong and Po-po. We’d carpool to
restaurants with names like “88 Seafood House”, grand places that looked
like banquet halls: each filled from corner to corner with large oval tables
draped in the same thick, off-white linen. Gong-gong always marched in,
cutting past hostesses in clean black uniforms calling out numbers,
through the clangs of tea cups and chopsticks, and straight to the
restaurant manager—he seemed to be chummy with each one—and we’d
be seated at once, to the dismay of families gripping their numbers with
clenched, white fists.
Then, stout middle-aged women pushing steel carts would bark their
goods at us.
Pineapple bun! Do you want it? Do you want them cut?
Gong-gong would offer only a nod or shake of the head, his gaze
swimming in the small porcelain tea cup near his folded hands. And so
was the rhythm of our mornings: stern women coming and going, Gong
gong nodding or scowling, the table filling and emptying with small steel
steamers.
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