Canto Cutie - Volume 2

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46
You mentioned that youw a n t e d t o “ c r e a t eillustrations of those whorise from fragmented anddistorted reflection.” Canyou explain more about thisconcept?Reflection on water isimagery that I have alwayscome back to. It is everchangingand subjective; itr e fl e c t s t h e i n n e r a n dhidden part of ourselves.Fragmented and distortedreflection appears whenwater is disturbed by winds.For me, I see strength inthose who see past thebroken reflections and riseproudly finding/holdingonto their true selves; kindof like what Mulan did in thecartoon.47
Page 1: 藝文聚粵Canto CutieAn art zi
Page 4 and 5: Table of ContentsForword by Katheri
Page 6 and 7: From the editorWhen I started this
Page 8 and 9: 8Peachtree PlazaKaren Kar Yen LawMo
Page 10: Still Life at Popo'sMarissa De Sand
Page 14 and 15: 14kaitlinchan.com@kaitlinmchan
Page 16 and 17: You use graphite as a texture for a
Page 18 and 19: 18Calendar (2020), a 4-panel comic
Page 20 and 21: Intimacy is a theme subtly depicted
Page 22: Sai Mun Zai (2018), a comic origina
Page 25 and 26: In scanning vintage queer newslette
Page 27 and 28: 2020——
Page 29 and 30: Jeffrey AndrewsThe Africa CenterHon
Page 31: Cute andCantonese:An identityrooted
Page 34 and 35: 34
Page 38 and 39: 38A!er the Chinese government passe
Page 41 and 42: Cover ArtistCrystal Lee
Page 43 and 44: Crystal LeeHong KongCrystal Lee is
Page 45: W h a t w a s y o u r e x p e r i e
Page 52 and 53: Fish EyeTrigger warning: suicide id
Page 54 and 55: When a Fisheye is cooked, the trans
Page 56 and 57: A passage from the Bible: Citizens
Page 59 and 60: But ANON had never thought of dying
Page 61 and 62: The phenomenon has been ongoing for
Page 63 and 64: ANON never knew that there was an a
Page 65 and 66: babbled some gossips. She was out o
Page 67 and 68: Images on page 42 - 69 are part of
Page 70 and 71: 70Upheaval:A poetrycollectionon Hon
Page 72 and 73: cliff facedI am back but in what wa
Page 74 and 75: 74
Page 77 and 78: Kei qin ahHalf bakedIt is dystopia
Page 80 and 81: Photos on page 75-79 are part of th
Page 82 and 83: 82
Page 85 and 86: Annika ChengNew York, USAAnnika Che
Page 87 and 88: Being a BIPOC, especially an Asianp
Page 89 and 90: Annika ChengThe Shell of a MaskClea
Page 91 and 92: I think I was always interested in
Page 93 and 94: 93
Page 95 and 96: Transportation came up a lot becaus
Page 97 and 98:
Page 94-99:Annika ChengOur Home, Ho
Page 101 and 102:
You write that you cut up your ownc
Page 103 and 104:
When creating Beautiful American Ch
Page 105 and 106:
When I was younger, I was very prou
Page 107 and 108:
TikTok107
Page 109 and 110:
Can you talk more about the process
Page 111 and 112:
day go byHeady rush yesterday when
Page 113 and 114:
Winnie ChanHong KongWinnie Chan is
Page 117 and 118:
19981997
Page 119 and 120:
Bianca NgNew Jersey, USABianca Ng (
Page 122 and 123:
During the first few years, babiesa
Page 126 and 127:
Carefully stepover the gap ofmy ope
Page 128 and 129:
Carefully step over the gap ofmy op
Page 130:
To this day, the sound of Cantonese
Page 133 and 134:
Whenever I commute around myhometow
Page 135 and 136:
Photos on page 128-139 are part of
Page 137 and 138:
This is about being aCantonese-Amer
Page 139 and 140:
Arron LuoAtlanta, USAArron Luo (he/
Page 141 and 142:
the ongoing push and pull and si! a
Page 143 and 144:
Eating Siu Mai Doesn’tMake You Ca
Page 145 and 146:
CUNG 4 GWONG 1saamsyuVideo still@sa
Page 147 and 148:
This triptych artwork, “,” is a
Page 149 and 150:
MondaysIrene KwanIllustration & dig
Page 151 and 152:
stood out to me like an eyesore. It
Page 153:
I am so glad to have made new frien
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Canto Cutie - Volume 2

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