Canto Cutie - Volume 3

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You describe that your images arereproduced and brought into theconversation with your ownrelationship with the ChineseDiaspora. Can you speak moreabout that relationship?你形容你的圖片是重製的 , 而且讓你反思自己跟華裔離散經歷的關係 , 可以解釋一下這種關係嗎 ?My mother and father areimmigrants to Canada from HongKong. Prior to their lives in HongKong, both my mother’s and father’sfamilies originated from theGuangdong province in China.When I consider my relationship tothe Chinese diaspora, I contemplatethe conditions of my family’sdispersal from China, I contemplatemy relationship to the homeland,and I contemplate my relationship tothe hostland.one rooted in white supremacy andcapitalism, and when I side with theIndigenous struggle fordecolonization, I am in fact aligningmyself with anti-racism andreciprocity. In short, my relationshipto the Chinese diaspora iscomplicated. I do not have anidealization of a return to myhomeland; however I am not satisfiedby the Canadian state.I primarily consider China, and morespecifically the province ofGuangdong to be my homeland. Myfamily’s Cantonese culture originatesfrom Guangdong, and we have strongancestral ties there. Like the workersfrom Guangdong who migrated toGum San (Gold Mountain) in searchof prosperity, my family experiencingextreme poverty in the wake of theCultural Revolution migrated fromChina to Hong Kong, and then toCanada. My family’s movementsmotivated by prosperity haveinformed how I relate to myhostland. Canada is a settler-colonialstate; as a settler, I live on stolen landand am complicit in colonization.While I acknowledge my complicity,I also know that the Canadian state is106
我主要認為中國 , 尤其是廣東省 , 是我的祖國。我家族的粵文化源自廣東 , 我們很重視祖先根源。像廣東的移居到舊金山尋找財富的工人 , 我的家族在文化大革命初期也非常貧窮 ,於是從中國移居至香港 , 最後遷往加拿大。我家族的遷徙是基於經濟原因 , 這也影響我跟移入國的關係。加拿大是定居殖民國家 , 我也是一個定居在此的人 , 我住在偷來的土地上 ,跟殖民者同流合污。雖然我承認自己在此的角色 , 我也明白加拿大是建基於白人至上主義和資本主義的國家 ,當我支持原住民去殖民化時 , 我其實也在支持反種族主義及互惠對等關係。簡單來說 , 我跟華裔離散經歷的關係很複雜。我沒期望返回祖籍國 ,但我也不滿意加拿大。Karen Kar Yen LawHeathen ChineeSilkscreen on rice paper107
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An art zine about the Cantonese dia
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I dedicate this volume to:今期
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location which lends itself to bein
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Christina Young 843D renderBrandon
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Steven KinDetroit, USAI am a fourth
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Steven KinAsian Diaspora Rocks Cup
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Sally ChenNew York, USA“flipping
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the sight ofa glowing convenience s
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莉子おうち火鍋Illustratio
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莉子雨降り酒楼Illustrat
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莉子監視カメラと茶餐
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Julie LaiLockdown ComfortDigital Il
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Julie LaiHong KongJulie Lai is an i
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The process was very organic,stemmi
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As you grapple with the “East vs
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Lockdown Comfort is a collection of
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karLondon, UKPrior to 1997, my pare
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Cheng Tim TimHong KongA coworker of
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Misato PangGather round the dinner
Page 55 and 56: Misato PangSt. Louis, USAOne of the
Page 57 and 58: Megan SooHooLos Angeles, USA“firs
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Page 61 and 62: J. Hyde T.New York, USAAs a 竹升
Page 63 and 64: You call them muffled liesdisguised
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Page 67 and 68: The basement.45th Avenue.My home.Wh
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Page 73 and 74: Lauren ManHong KongCOVID-19 brought
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Page 83 and 84: Wandy ChengToronto, CanadaAfter bei
Page 85 and 86: Christina YoungNew York, USACarts a
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Page 89: Brandon ChuHong KongI wrote this po
Page 92 and 93: Landscapes of Blood and Smoke 血
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Page 96 and 97: Most of your work isabstract, but y
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Page 100 and 101: What is the idea behind the title o
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Page 108: Karen Kar Yen LawHeathen ChineeSilk
Page 111 and 112: What sort of pan-Asian or pan-Sinos
Page 113 and 114: Cherie KwokBirmingham, UKInspired b
Page 115 and 116: Atom CheungHong Kong"The Players" i
Page 117 and 118: Pamela KwongNew York, USAI grew up
Page 119 and 120: Adrienne HughHong KongThe farther I
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Page 123 and 124: The first time we entered the marke
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Page 133 and 134: About PÚCApuca.myportfolio.com @im
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Page 138 and 139: When I was a child, Ilived in a sma
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Page 146 and 147: Interview withKaron NgHome CookedDi
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Page 152 and 153: Karon NgFragments (previous page)Di
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You recently created an image based
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Tell us about the symbolism inMirag
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You’ve chosen to portray many cla
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之前提過我現居倫敦
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Canto Cutie - Volume 3

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