Canto Cutie - Volume 3

More documents

Recommendations

Info

Tell me more about After Dark,a personal work depicting aHong Kong alley after dark.可以講解「After Dark」這個描繪香港橫街小巷入夜景色的個人作品嗎 ?After Dark was actually based offan actual alley in Sha Tin. HongKong tends to be depicted as thiscosmopolitan and futuristic city,but this illustration wasshowcasing these kinds of quietalleyways that you see as you walkpast rows of buildings. A not soglamorous view of garbage binsand boxes with the backdrop ofthe neon lights of the city.「After Dark」繪畫的其實是沙田一條小巷。香港一般被視為大都會、充滿未來感的城市 , 而這作品則描繪走過一排又一排的大廈時所看到的寧靜小巷。以城市的霓虹燈作背景 , 描繪了這地方滿街垃圾桶和廢紙箱、不太華麗的一面。Julie LaiAfter DarkDigital Illustration44
45
Page 1: An art zine about the Cantonese dia
Page 5 and 6: I dedicate this volume to:今期
Page 7 and 8: location which lends itself to bein
Page 9 and 10: Christina Young 843D renderBrandon
Page 11 and 12: Steven KinDetroit, USAI am a fourth
Page 13 and 14: Steven KinAsian Diaspora Rocks Cup
Page 19 and 20: 19
Page 21 and 22: Sally ChenNew York, USA“flipping
Page 23: the sight ofa glowing convenience s
Page 27 and 28: 莉子おうち火鍋Illustratio
Page 29 and 30: 莉子雨降り酒楼Illustrat
Page 31 and 32: 莉子監視カメラと茶餐
Page 33 and 34: Julie LaiLockdown ComfortDigital Il
Page 35 and 36: Julie LaiHong KongJulie Lai is an i
Page 37 and 38: The process was very organic,stemmi
Page 39 and 40: As you grapple with the “East vs
Page 41 and 42: Lockdown Comfort is a collection of
Page 43: Julie LaiLockdown ComfortDigital Il
Page 47 and 48: Julie LaiLockdown ComfortDigital Il
Page 49 and 50: karLondon, UKPrior to 1997, my pare
Page 51 and 52: Cheng Tim TimHong KongA coworker of
Page 53 and 54: Misato PangGather round the dinner
Page 55 and 56: Misato PangSt. Louis, USAOne of the
Page 57 and 58: Megan SooHooLos Angeles, USA“firs
Page 59 and 60: 59
Page 61 and 62: J. Hyde T.New York, USAAs a 竹升
Page 63 and 64: You call them muffled liesdisguised
Page 65 and 66: Lauren ManTyphoon WorldsDigital pho
Page 67 and 68: The basement.45th Avenue.My home.Wh
Page 69 and 70: Lauren ManTyphoon WorldsDigital pho
Page 71 and 72: 71
Page 73 and 74: Lauren ManHong KongCOVID-19 brought
Page 75 and 76: However, when COVID-19 struck, I en
Page 77 and 78: The driver spoke of his childhood f
Page 79 and 80: 79
Page 81 and 82: 81
Page 83 and 84: Wandy ChengToronto, CanadaAfter bei
Page 85 and 86: Christina YoungNew York, USACarts a
Page 87 and 88: 87
Page 89: Brandon ChuHong KongI wrote this po
Page 92 and 93: Landscapes of Blood and Smoke 血
Page 94 and 95:
94
Page 96 and 97:
Most of your work isabstract, but y
Page 98 and 99:
98
Page 100 and 101:
What is the idea behind the title o
Page 102 and 103:
102When I read the accompanying tex
Page 104 and 105:
104
Page 106 and 107:
You describe that your images arere
Page 108:
Karen Kar Yen LawHeathen ChineeSilk
Page 111 and 112:
What sort of pan-Asian or pan-Sinos
Page 113 and 114:
Cherie KwokBirmingham, UKInspired b
Page 115 and 116:
Atom CheungHong Kong"The Players" i
Page 117 and 118:
Pamela KwongNew York, USAI grew up
Page 119 and 120:
Adrienne HughHong KongThe farther I
Page 121 and 122:
121
Page 123 and 124:
The first time we entered the marke
Page 125 and 126:
125
Page 127 and 128:
127
Page 129 and 130:
129
Page 131 and 132:
131
Page 133 and 134:
About PÚCApuca.myportfolio.com @im
Page 135:
135
Page 138 and 139:
When I was a child, Ilived in a sma
Page 140 and 141:
race horse’s international fame,a
Page 142 and 143:
142
Page 144 and 145:
144
Page 146 and 147:
Interview withKaron NgHome CookedDi
Page 148 and 149:
148
Page 150 and 151:
150
Page 152 and 153:
Karon NgFragments (previous page)Di
Page 154 and 155:
Tell us more about the processbehin
Page 156 and 157:
You recently created an image based
Page 158 and 159:
Tell us about the symbolism inMirag
Page 160:
You’ve chosen to portray many cla
Page 163:
之前提過我現居倫敦
show all

Canto Cutie - Volume 3

Create successful ePaper yourself

Delete template?

Save as template?